Delfilm

Six outwardly average individuals have elaborate fetishes they indulge with surreptitious care. A mousy letter carrier makes dough balls she grotesquely ingests before bed. A shop clerk fixates on a TV news reader while he builds a machine to massage and masturbate him. One of his customers makes an elaborate chicken costume for a voodoo-like scene with a doll resembling his plump neighbor. She, in turn, has a doll that resembles him, which she whips and dominates in an abandoned church. The TV news reader has her own fantasy involving carp. Her husband, who is indifferent to her, steals materials to fashion elaborate artifacts that he rubs, scrapes and rolls across his body.

It's a grim world of prostitution, drug dens, transvestites, junkies and murderers. The seediest side of urban life is examined in this tragedy. The film follows the complex, interwoven lives of four characters as they live their harsh and gritty nocturnal lives on the city streets. The main characters are Fifi a pickpocket who is simultaneously involved with Divine, a transvestite hooker and Vera a peep show dancer who refuses to be a hooker. Vera lives with her would-be pimp Jesus le Gitan, a small-scale drug dealer. When the area riff-raff become embroiled in hostilities, two of main characters are slowly killed in horrible ways. Fifi is then left to avenge their deaths.

A former Yugoslav resistance fighter, Gregor Zidar, resurfaces in his old village in 1986, where locals have long believed him dead after his heroic act of saving hostages in 1944. Instead of gratitude, he faces cold suspicion and outright rejection.