Teatro alla Scala

As per tradition, the 2021/22 season opened in December at La Scala in Milan, this time with a new production of Giuseppe Verdi's 'Macbeth' directed by Davide Livermore and conducted by Riccardo Chailly. Verdi's Shakespeare drama features a star-studded cast: Anna Netrebko and Luca Salsi embody the regicide Macbeth and his lady.

The version of Le Corsaire by Manuel Legris arrives at La Scala, his first revival of a nineteenth century classic, fully highlighting the intent and innovativeness of his choreographic approach and his musical and dramaturgic quest. With its clear and accessible plot, notable attention to musicality and relations among characters, the sumptuous and evocative décor and costumes by Luisa Spinatelli, it will be an occasion recombining the energy virtuosity, the lyricism and romanticism of one of the 19th century’s most adventurous and thrilling ballets d’action with the talents of the La Scala dancers.

Recorded live from the Teatro all Scala, Milan, 2011

Madama Butterfly (Madame Butterfly) is an opera in three acts (originally two acts) by Giacomo Puccini, with an Italian libretto by Giuseppe Giacosa and Luigi Illica. This performance was recorded at the Teatro degli Arcimboldi in Milan in 2004.

Don Quixote is a 19th century work, choreographed by Petipa in 1869. Rudolf Nureyev revived it in 1966 and it is his version in La Scala Ballet’s repertoire, much loved by ballet audiences for its winning mix of technical bravura, exuberance and comic touches. La Scala Ballet brought the world of a fantastical Spain brilliantly to life with their sophisticated dance, music, costumes and sets, energetically accompanied by the Queensland Symphony Orchestra, conducted by David Coleman.

Every night, Johann puts on bat's wings and flies off to enjoy himself. Bella, troubled by her husband's hedonistic activities, consults with her friend Ulrich and plots to disguise herself as a mysterious beauty to seduce her husband. A ballet in two acts after Johann Strauss' "Die Fledermaus" choreographed by Roland Petit, staged by Teatro alla Scala and filmed for television.

MacArthur "Genius Grant" recipient Ratmansky, "the most significant classical choreographer of the current era" (The Guardian), is the former artistic director of the Bolshoi Ballet and, having left Russia in protest following the invasion of Ukraine in 2022, current artist in residence of the New York City Ballet. His production of Coppélia, a longtime repertoire favorite with sumptuous music by Léo Delibes and based on E.T.A. Hoffmann's The Sandman, features the celebrated corps de ballet of La Scala in never-before-seen sets and costumes by Jérôme Kaplan.

The opera that Claude Debussy created from Maurice Maeterlinck’s symbolist drama stands as one of the greatest achievements in the history of musical theatre.

In the garden of a Baroque villa, a chamber orchestra is playing Mozart’s wonderful quartets and quintets, and everywhere is pervaded with echoes and references to the composer’s world. As if by magic or conjured by the imagination, figures emerge from the shadows of the labyrinthine garden: they are Mozart’s characters, and they play with – or perhaps make fun of – the guests at the party, embroiling them in their well-known amorous dalliances. This piece, in which the spectator encounters among the dreamlike medley many well-known protagonists from Mozart’s operas (including Figaro, Don Giovanni, and the Queen of the Night), is a full-length choreographic work by Massimiliano Volpini, who himself performed on stage for many years as a dancer with the Scala ensemble.

Gaetano Donizetti's comedic opera about a woman in Napoleon's army is performed here in French by the Orchestra and Chorus of Teatro alla Scalla.

First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.

In 15th-century Venice, Jacopo Foscari, son of the Doge of Venice Francesco Foscari, is to be tried by the Council of Ten for a crime of which he claims to be innocent. The Foscari family’s sworn enemy, the vindictive Jacopo Loredano, treacherously secures his sentence of exile. Despite the pleas of Lucrezia, Jacopo’s wife, the unfortunate father is forced to sign his son’s banishment order, even though he is convinced of his innocence. The young man dies of despair just before the real murderer comes forward. Loredano secures the removal of Francesco Foscari, who collapses, lifeless. "I due Foscari" is an opera in three acts by Giuseppe Verdi, with a libretto by Francesco Maria Piave, which premiered at the Teatro Argentina in Rome on 3 November 1844.

Performance of La Bohème in Teatro alla Scala, 1979.

Svetlana Zakharova and Roberto Bolle perform in this 2004 La Scala production of the Tchaikovsky ballet conducted by James Tuggle.

Live from La Scala Saturday 07 July 2007. In this live performance of Giuseppe Verdi's opera, Violetta, a courtesan much wooed by Parisian society, organises a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man.

Teatro alla Scala presents a new production of Tchaikovsky’s masterpiece of unrequited love, drawn from Pushkin’s novel. Acclaimed soprano Aida Garifullina stars as Tatyana, the naïve young girl who grows into a sophisticated beauty. Baritone Alexey Markov sings the title role of the nobleman who lives to regret his blasé rejection of Tatyana’s love and his careless incitement of a fatal duel with his best friend Lensky (Dmitry Korchak). The tender music is entrusted to the exciting Timur Zangiev, and staging is in the hands of prolific stage and film director Mario Martone, now in his tenth La Scala production.

Rinaldo Alessandrini, one of the most eminent baroque and pre-baroque music specialist, conducts Monteverdi's Orfeo, performed by singers who have been working with the Maestro for many years, and who now play in the middle of Robert Wilson's fairy sets...

Opera di Giuseppe Verdi a Milano.