nordmedia

A couple consisting of two women, Levi and Minu, participate in a reality TV show called Hygge, inspired by the Swedish lifestyle concept of the same name. On an island, the new community they form part of takes advantage of their remoteness from society in order to experiment with its own values. But contrary to Levi's expectations, the ideals of traditional gender roles still seem to prevail among the show’s bosses. Therefore, at a certain point, Levi tries to escape and to convince Minu to leave with her.

The lives of six German-Turkish immigrants are drawn together by circumstance: An old man and a prostitute forging a partnership, a young scholar reconciling his past, two young women falling in love, and a mother putting the shattered pieces of her life back together.

Rolf Köster has been working as a cashier in a small bank branch for years. Every day passes like the day before. He has a thirteen-year-old daughter who would rather write in a diary than speak and a six-year-old son who has to wear a bicycle helmet because he is constantly banging his head against walls. His wife organizes the whole family life, and Rolf stays in the background. But he has doubts as to whether he, who has "everything", is really happy. Then Rolf is unexpectedly given a week's vacation. He decides not to tell his family and to leave the house as usual. Rolf Köster begins to lead a double life.

A year after his brother's death, Rob discovers that the only way to help his father cope with the loss is to "force" his affection onto him.

Ida's friend Miriam visits the school for three months, but a secret threatens to tear them apart. Miriam is entrusted with the tarsier Fitzgeraldo, while Max, deeply in love, is given the owl Muriel. Meanwhile, the sale of the school is imminent, and the future of the magical community is in peril.

It is a powerful predator, one of the most elusive animals in Patagonia and rarely filmed. In the very South of Chile the Pumas' hunting grounds lie in the awe-inspiring Torres del Paine National Park, follow a mother Puma as she rears her cubs in the wild, teaching them to survive and thrive.

Copenhagen, 2018. A frightening discovery is made in an old apartment. The subsequent investigation of Department Q leads them to an infamous institution for girls that was suddenly closed in the early sixties.

The story of two boys coming from different social backgrounds: the sensitive loner Joschi who had to move with his father from a better district after his parents’ separation, and Niko, full of bravado, whose family came to Germany from Kazakhstan, staying out of the way of his drunken father. In the neighborhood cinema, the two friends secretly idolize the figure of a vampire up on the screen. In a magical twist, Count Karpatovicz steps out of the screen to help the boys realize Niko’s sister Tatjana’s dream of escaping from the confines of the rundown tenement to become a boxing champion.

When chaos reigns, while barbaric and fanatical rulers, both ecclesiastical and secular, systematically burn entire libraries, book hunters, secret heroes of history, travel the world saving and copying texts, threatened by the madness of censors, with the noble purpose of preventing the ultimate loss of human knowledge.

Why does Doris Dörrie have a bag on her head in the interview? Consistent in the sense that in her works she always poses the question of how we want to be perceived. Dörrie takes us through the most important stages of her life, her films, her work as a mentor and teacher, and also addresses existential themes: Identity, motherhood, her role as a woman. And she talks openly about fears, setbacks and crises, such as the untimely death of her partner and cameraman Helge Weindler. "Shut up and breathe", the advice of a Tibetan lama, carries her through life - even beyond the screen.

Out of her love for the great thinker Leibniz, Queen Charlotte commissions a portrait of him. During the portrait sessions, the philosopher and the young painter engage in a passionate struggle for truth in image and likeness, and ultimately for love and death.

A man attempts, in vain, to prevent another from suffering the consequences of a sinister curse associated with the Delver Mirror. He presents a dire warning, in the broadest possible terms, to the ill-fated central character as to the fantastical legend and insidious nature of the mirror. Slowly they advance upward through the labyrinth of sticky corridors until the attic door approaches.

Ridley Scott's cult film Blade Runner, based on a novel by Philip K. Dick and released in 1982, is one of the most influential science fiction films ever made. Its depiction of Los Angeles in the year 2019 is oppressively prophetic: climate catastrophe, increasing public surveillance, powerful monopolistic corporations, highly evolved artificial intelligence; a fantastic vision of the future world that has become a frightening reality.

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

After a local factory worker named Dorem Clery dies under mysterious circumstances, Werner Herzog travels to Getunkirchenburg to investigate his perplexing death. But Herzog, our narrator, is not who he seems, and the film is not what we expect…

April 1945. In a dramatic operation the SS transports 139 special prisoners, and kin of the prisoners, into the Alps. The plan: to use the prisoners as bargaining chips in possible negotiations with the Allies. During the journey a number of prisoners plan their escape and experience six days between liberty and death, their fates in the hands of ruthless and increasingly nervous criminals. But the hostages band together and turn the tables with a clever ploy: they call in the Wehrmacht to aid them…

Acquired in July 1909 by art collector Wilhelm von Bode (1845-1929), director general of the Prussian Art Collections and founding director of the Kaiser-Friedrich-Museum, now the Bode-Museum, the Bust of Flora, Roman goddess of flowers, has been the subject of controversy for more than a century.

The film is based on the events surrounding the Lengede mining accident in 1963.

A documentary of early airplane pilot and WW1 fighter ace Manfred von Richthofen, famously known as The Red Baron.

My mother googles the film hero of her youth: Helmut Berger. She is shocked: only an addicted shadow of the former icon seems to be left. She decides to halt the obvious catastrophic decline of the once “most handsome man in the world”. As a consequence, this one-time god of the screen is suddenly sitting on my mother’s sofa in Nordsehl in Lower Saxony. And he stays put - for several months. While he trustingly rolls out his whole life before us, the dividing lines between film team, world star and family intermingle. This is a film about ageing, rising and falling - and about the fact that it is sometimes possible to regain an element of dignity in life.