Société L. Gaumont et compagnie

A pregnant woman steals things from others on account of her cravings.

It was the first film version of the Hunchback of Notre Dame.

A brief fantasy tale involving a strange fairy who can produce and deliver babies coming out of cabbages. Note: This is a LOST film; the existing film of the same name is the remake from 1900.

A hypnotist tricks his patients. There is no credited director for this film, although three different persons get attributed, Gaston Breteau, Alice Guy or Georges Hatot.

A machine churns out sausages on one side and spits out hats on the other. The director of this film is not credited in any contemporary catalogues or trade publications, or attributed to anyone by scholars or primary sources, however Alice Guy-Blaché is the most probable candidate.

Scene of the last supper.

"Les Fredaines de Pierrette" is the collective name of four short films of 20 meters each ("Arrivée de Pierrette et de Pierrot", "Arrivée d'Arlequin", "Suite de la danse", and "Départ d'Arlequin et de Pierrette"), attributed to Alice Guy (although not confirmed in any primary source), in which Columbine resists Pierrette's courting in favor of Harlequin. From July 1901, the series were made available hand-colored.

An illusionist makes a woman disappear in thin air. There is no credited director for this film, although three different persons get attributed, Gaston Breteau, Alice Guy or Georges Hatot.

A magician transforms a tiny dinner table into a full meal for a homeless man.

A boy is fishing in a stream when some others see an opportunity for mischief.

The fairy at a cabbage patch hovers over the babies. This is a remake of Guy's 1896 film on the same subject, this time shot in 35 mm.

A dancer personifying Winter, dances in the snow. "L'Hiver: Danse de la neige" is the fourth and last film of the series DANSE DES SAISONS. "Le Printemps: Danse des roses", "L'Eté: Danse de la moisson" and "L'Automne: Danse des vendanges" are lost or unlocated.

Starring 'Les Omers' as a bunch of bricklayers causing trouble for the local cops.

A re-telling of the classic tale of Faust in all of two minutes by French filmmaker Alice Guy.

Cops chase a pair of burglars on the rooftops of the city. Gaston Breteau filmed the original film in early 1898 for Lumiére, and also the remake in late 1898 for Gaumont.

Some men get into hijinks at a sidewalk cafe. There is no known credited director for this film, although the attribution usually goes for Alice Guy.

Armand Dranem performs The True Jiu-Jitsu ("Le Vrai Jiu-Jitsu", by P. Briollet & G. Fabri / C. D'Orviet) in this phonoscene by Alice Guy. This early form of music video was created using a chronophone recording of Dranem, who was then filmed "lip singing". Guy would film phonoscenes of all three major Belle Époque celebrities in France: Polin, Félix Mayol, and Dranem.

Gentlemen get into a misunderstanding over absinthe. There is no known credited director for this film, although the attribution usually goes for Alice Guy.

Soldiers ambush a house. This is the Alice Guy version, not to be confused with the less accessible Lumiere of the same title from the same year.

Silent film directed by Georges Demenÿ for Gaumont. An actual remake of the Lumiére brothers' "Démolition d'un mur" (1896).