TMS Film GmbH

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

Interview with German softcore film director Alois Brummer

A psychological interpretation of the opera mixing in references to the history of Germany, Wagner’s life, German literature and philosophy. The action is centered on Wagner’s death mask. Kundry is the main character – one might read the film as the story of her redemption rather than that of Amfortas.

Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.

A Teutonic lecher on vacation has a wager with some local peasants that he can't make a walking circle from sunrise to sunset to secure some coveted land. The middle-aged businessman embarks on his journey only to be slowed down by the beautiful reporter Scarabea. With thoughts of drunkenness and sex on his warped mind, the man tries to circumnavigate the parcel of property. The story is a retelling of an ancient folk tale told by Tolstoy where the initial victim bets his soul to Satan against the land he desires.

Theodor Hierneis oder Wie man ehem. Hofkoch wird consists of a monologue performed by Walter Sedlmayr, who plays Theodor Hierneis, the chef at the court of Ludwig II of Bavaria. The screenplay was written by Syberberg and Sedlmayr and is based on the memoirs of Hierneis. The film received the Deutscher Filmpreis for Best Non-Narrative Film and Best Actor.

In Heinrich von Kleist's "Penthesilea", war, the death of love and erotic cannibalism merge into a battle of the sexes. The drama, which was published in 1808, was not premiered until 70 years later. It is considered almost unplayable. Edith Clever and Hans Jürgen Syberberg have remembered that Kleist's "Penthesilea" was already read as a monologue in the time of its author and supplemented by pantomime on stage. In November 1987, they continued this tradition at the Théâtre des Bouffes du Nord in Paris: Edith Clever performed the play without lines and role changes, as a single long poem.

Die Nacht ("The night") is a 1985 West German installation film directed by Hans-Jürgen Syberberg. It consists of a six hours long monologue performed by Edith Clever, who reads texts by Syberberg and many different authors, such as Johann Wolfgang von Goethe, Heinrich von Kleist, Plato, Friedrich Hölderlin, Novalis, Friedrich Nietzsche, Eduard Mörike, Richard Wagner, William Shakespeare, Samuel Beckett and chief Seattle. The film was screened out of competition at the 1985 Cannes Film Festival. (from: https://en.wikipedia.org/wiki/Die_Nacht)

This surrealistic experimental film finds the son of a young nobleman staying with hash-smoking hippies in a seamy section of Munich. He falls for a hippie girl who is involved in shaking down the young man's parents for money. She falls in love with the young man but the group continues to extract money from the parents in return for their wayward son. When he discovers the shakedown, his rage leads to tragedy for the star-crossed lovers.