Ministère de la Culture et de la Francophonie

A Czech-French existential tragicomedy. Its (anti)hero is a young man named Andrej (played by Filip Topol, leader of the Czech underground band Psí vojáci). The story turns on his fateful love for the powerfully attractive though superficial Kristyna (Markéta Hrubesová).

Ryuzo, Japanese young man who has committed a crime of passion in Tokyo, is sent by his father to Paraguaipoa to escape justice. In this place, inhabited by the Wayuu ethnic group, meets Princess Campanula. Among them was a love affair, not welcomed by the smuggler Challenger occurs.

In Kouroussa, his native village, little Baba lives happily, between Madou, his father, a gifted mechanic, Kouda, his sweet mother, and his gang of pals. Kouroussa is a wonderful place where Baba learns about life. But like all little boys Baba grows and now he is old enough to continue his studies in Conakry. He must say farewell to his village and cross all Guinea to the capital city of Guinea to live with his uncle.

Explores the realities of present day Lebanon as reflected through the voices of women. After a seven year absence, Nakkas returned to Lebanon to record the dreams, disappointments of her generation of women and meet a younger generation of women whose only memory is of Lebanon at war.

A group of tenants facing eviction due to a city renovation unite to fight back, but as they clash with the landlord and his ruthless attorney, they each transform into the opposite of who they once were.

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.