Fiskultura Films

Body in Plural moves between bodies and buildings to trace how a single historic event continues to reverberate through time. From a 1988 mass performance in Yugoslavia to today's protests in Serbia, the film questions how freedom can still be imagined, not as possession, but as relation.

74-year-old dancer Sonja Vukićević moves through socialist-modernist spaces, her body echoing Yugoslavia's last mass performance.

Sleepless from the heat, Sokun leaves his crowded construction dormitory and joins a community of fellow workers living in one of many unfinished high-rises. One such tower offers a long-awaited luxury home for its first tenant, Seda, who soon feels trapped in the vast gated complex.