Fiskultura Films

74-year-old dancer Sonja Vukićević moves through socialist-modernist spaces, her body echoing Yugoslavia's last mass performance.

An interrogation of the globalized aesthetics of contemporary Cambodia's transformed cityscapes, as well as the lives -- and parallel experiences of alienation -- of the construction workers and homebuyers who occupy its new highrises and hidden squats.

Body in Plural moves between bodies and buildings to trace how a single historic event continues to reverberate through time. From a 1988 mass performance in Yugoslavia to today's protests in Serbia, the film questions how freedom can still be imagined, not as possession, but as relation.