Fiskultura Films

74-year-old dancer Sonja Vukićević moves through socialist-modernist spaces, her body echoing Yugoslavia's last mass performance.

Body in Plural moves between bodies and buildings to trace how a single historic event continues to reverberate through time. From a 1988 mass performance in Yugoslavia to today's protests in Serbia, the film questions how freedom can still be imagined, not as possession, but as relation.

Sleepless from the heat, Sokun leaves his crowded construction dormitory and joins a community of fellow workers living in one of many unfinished high-rises. One such tower becomes the long-awaited luxury home for its first tenant, Seda, who soon feels trapped in the vast gated complex.