Abbout Productions

Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.

Nabil returns to Beirut with the ashes of his father who died abroad. He tries to overcome his bereavement while his family insists on respecting rites and customs by burying a non-existent corpse.

After surviving a car crash in the middle of Lebanon's isolated Beqaa Valley, an amnesiac man finds himself held hostage on a local farm that doubles as an illegal drug-production facility.

A hot summer's day in the Gaza Strip. Today the electricity is on. Christine’s beauty salon is heaving with female clients: a bride-to-be, a pregnant woman, a bitter divorcée, a devout woman and a pill-popping addict. But their day of leisure is disrupted when gunfire breaks out across the street. A gangland family has stolen the lion from Gaza’s only zoo, and Hamas has decided it’s time to settle old scores. Stuck in the salon, with the prospect of death drawing ever nearer, the women start to unravel. How will the day end? Will they lose their lives for the sake of “liberating the lion”?

Suzanne and Osmane meet in crisis-ridden Beirut. Osmane is a young Sudanese man without papers, searching for a better future; Suzanne is a widow with Palestinian roots more than twice his age. Against all odds, they fall in love.

Each morning Beirut awakens to a new murder seemingly committed by a serial killer, with victims found emptied of their blood. At the same time a doctor, Khalil, begins to experience strange symptoms that destabilise him and transform his life. A connection slowly emerges that seems to link Khalil to these victims. Salhab’s body of films have come to narrate the state of Lebanon – and Beirut in particular – during and after the civil war, and this film is no exception.

Jamil and Milad are brothers with very different personalities. Jamil is a get-up-and-go carpenter, following in his father's footsteps. Milad is a sensitive trumpeter and dreamer. As their home country, Syria, sinks further into war, Jamil emigrates first to Beirut and then makes an illegal journey to Sweden. Milad stays in Damascus, but eventually can’t take it any longer and decides to leave to Berlin. Their cousin Wissam records their journey for over five years, bringing back childhood memories while questioning the true meaning of home. The traumatic war in Syria plays a background role in this documentary, which focuses more on the psychological effects of being uprooted and the way the brothers, who had previously hardly travelled, deal with emigration. It draws with humility and admiration the human ability to cope with change, as radical as it can be. Jamil and Milad are achievers, each adapting his own way.

Strange and life-threatening events in a construction site create tension between the Syrian workers and the Lebanese villagers. Tarek, one of the workers, becomes convinced that the site is haunted.

The film gives voice to Lebanese teenagers, filmed in different regions of the country - Tripoli, Sidon, Hermel... Coming from different backgrounds, they express themselves on the future, their future, their desires and fears, on their role models, their link to family, politics, memories. They talk with the frankness and funniness of children and yet, also with the maturity of adults. Through a series of simple and open questions, the documentary draws an intimate portrait of today's Lebanese youth.

In 1970s Greece, two young women free a military raid and take sanctuary in a mysterious convent.

In this sweeping love story that spans three decades of passion, heartbreak, and hope, Nino and Yasmina find themselves drawn together by a magnetic relationship. As they face an impossible choice between love and survival, they must decide if they want to build a family and chart a path to happiness in Lebanon, despite the tragedies ravaging the country.

Riad, a middle-aged man, holds a firearm shop in a neighbourhood of Beirut. When he meets up with his friends or goes hunting with them, it is often with the aim of evoking together their memories of the civil war fought in the Christian militia. They live in nostalgia for the war that impassioned their youth. Director Myriam El Hajj builds solid architectural images that interrogate — and, perhaps, over time even manage to articulate — the intimate origins of violence that never seems to depart and a past that doesn't want to let go of the present.

Through a closed study of the notorious, now derelict district of Karantina, Sector Zero uses Karantina’s history as a metaphor for Lebanon’s own troubled past, suggesting that by denying their traumas, the Lebanese people have entered a downward spiral into the abyss that is their own collective unconscious. The film is not so much a documentation as it is an exploration into the dark corners of modern Lebanon’s collective memory in an attempt to discover how much of who we are is based largely on that part of ourselves we have chosen to forget.

In 2011 Tunisia, as the Arab Spring awakens, unemployed graduate Aziz, nicknamed Zizou (Zied Ayadi), travels from his Saharan village to the big city of Tunis in search of a job. From television aerial installation to political intrigue, this fresh-faced young Candide will learn the ways of the world, fall in love with the ravishing Aicha (Sara Hanachi), and become famous.--Eddie Cockrell, FilmFest DC

Maia, a single mother, lives in Montreal with her teenage daughter, Alex. On Christmas Eve, they receive an unexpected delivery: notebooks, tapes, and photos Maia, from 13 to 18 years old, sent from Beirut to her best friend who left for Paris to escape the civil war. Maia refuses to open the box or confront its memories, but Alex secretly begins diving into it. Between fantasy and reality, Alex enters the world of her mother’s tumultuous, passionate adolescence during the Lebanese civil war, unlocking mysteries of a hidden past.

Panoptic explores Lebanon's schizophrenia. Depicting a nation thriving for modernity while ignoring the vices preventing it from achieving its goal, director Rana Eid examines this paradox through sound, iconic monuments and secret hideouts.

A Certain Nasser is the compelling journey of ninety years old Lebanese filmmaker, Georges Nasser, an idealist who couldn't adapt to his country's failing system but whose eyes still light up at the mention of his greatest love, Cinema.

A quintet is an omnibus feature told from the perspective of five international up and coming filmmakers who are searching to find identity in the modern world. The five segments are : "Polaroid" by Roberto Cuzzillo; "Friend Request" by Elie Lamah; "The Cuddle Workshop" by Mauro Mueller; "The House in the Envelope" by Sanela Salketic; and "The Tourist" by Ariel Shaban.

In 2023 Lebanon, Aida and her husband struggle to make ends meet after he has loses his job as a private chauffeur. In addition to frequent electricity cuts and her growing boredom as a housewife whose kids have left the nest, Aida can now no longer pay the bills. Through a fortuitous turn of events, she intersects with Saydeh, who works as a film extra and helps enroll Aida in a background casting agency called Paradise. This, in turn, leads Aida to bond with new girlfriends and push back on her increasingly grumpy husband as she redefines the limits Beirut society had set for her.

On the eve of an invasion in 1982 Lebanon, an 11-year-old boy at a mountain school is determined to express his feelings to a classmate. As tension builds across the country, the day takes an unexpected turn, reflecting the fragile line between innocence and conflict. Through a child's eyes, the film explores the impact of war, the power of love, and the resilience of the human spirit.