Channel Four Productions

Choreographer William Forsythe suggested director Mike Figgis should join the Frankfurt Ballet company for five weeks in order to make a documentary. The film follows the creation of a new dancing piece from day one to the premiere.

On February 22, 1984, Carol Ann Vetter touched her 12-year-old son's hand for the first time. David Vetter had spent his entire life inside a sterile isolator, with a protective layer of plastic shielding him from the world around him. Afflicted with a rare hereditary disease, severe combined immunodeficiency (SCID), David was defenseless against any germs. Now, his doctors were gambling on an experimental procedure to free him from his isolation — but David would live only two weeks in the outside world before succumbing to infection. American Experience presents The Boy in the Bubble, a story of medical perseverance and personal tragedy. With first-hand recollections from David's mother and the doctors, nurses, therapists, and the chaplain who cared for him, as well those who were critical of the handling of his case, this film documents the life of a little boy who became a living experiment in a fight to cure a rare disease.

"Untitled Sequence", is an artist film that explores the material processes of filmmaking such as visual narration, cinematography, soundtrack creation and film editing from the perspective of a young female artist – a perspective that is still under-represented in conventional filmmaking. The film engages with contemporary issues of identity and allegories of artistic practice, and is influenced by Jean Cocteau and Maya Deren’s films (particularly their creation of visual ‘dreamscapes’), Nobuhiko Ôbayashi (especially his editing processes) and Lee Miller’s embodiment of both the artist and the artist’s muse in her work both in front of and behind the camera.