In 1750 Austria, a deeply religious woman named Agnes has just married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts, until the possibility of committing a shocking act of violence seems like the only way out of her inner prison.

Sarah, a former professional kickboxer from Vienna, accepts an offer to work as a personal trainer for a rich family in the Middle East. She finds herself in a foreign world, in a palace behind walls and cut off from the internet, where the sisters are under surveillance around the clock. They have no interest in learning to box. So why has Sarah been brought here?

Richie Bravo, once upon a time a successful pop star, chases after his faded fame in wintry Rimini. Trapped between permanent intoxication and concerts for busloads of tourists, his world starts to collapse when his adult daughter breaks into his life.

Vienna, Austria, 1910. The young painter Egon Schiele is a rising artist, provocative and free, whose work, characterized by eroticism, shocks as much as it fascinates art lovers.

In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.

For Anna Maria, paradise lies with Jesus, and she devotes her time to door-to-door missionary work. One day after years of absence, her husband, an Egyptian Muslim confined to a wheelchair, comes home—and soon prayers are replaced by fighting.

Filmmaker Ulrich Seidl explores of the dark underside of the human psyche by entering Austrian basements fitted out as private domains for secrets and fetishes.

Ewald moved to Romania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed. Sparta is the brother film to Rimini (2022), and the conclusion of Ulrich Seidl's diptych about the inescapability of the past and the pain of finding yourself.

Two directors shoot a documentary about the controversial director and pugnacious actor Peter Kern. But he cannot be easily rammed into the classical form of a documentary.

Africa. In the wild expanses, where bush-bucks, impalas, zebras, gnus and other creatures graze by the thousands, they are on holiday. German and Austrian hunting tourists drive through the bush, lie in wait, stalk their prey. They shoot, sob with excitement and pose before the animals they have bagged. A vacation movie about killing, a movie about human nature.

Lillian, stranded as an emigrant in New York, wants to walk back to her native Russia. Determined, she sets out on the long journey. A road movie across the United States into the cold of Alaska. The chronicle of a slow disappearance.

Norman, who lost his parents in a fire as a child, is obsessed with light and haunted by its destructive powers.

A nurse from Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life...

Alone in a secluded mansion, Giacomo Casanova cries out then collapses. When the mysterious and beautiful writer, Elisa von der Recke, comes to visit, it breathes new life into the old man. A movie that captures the myth of the greatest seducer of all times, Casanova, his story is told both through fiction and on-stage opera performances that unravel the tale of his adventures, his passions, and ultimately his fear of death.

On the beaches of Kenya they’re known as "Sugar Mamas" —European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise, moving from beach to beach.

The Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family's wealth allows them to live totally free from consequences.

Johannes, an innocent, Kaspar Hauser-like man with the heart of a child, lives secluded in an alpine hut together with his eagle and his devout mother. Daily life in this isolated world is governed by prayer and ritual. But suddenly, modern objects and disruptive noises intrude between nature and worship. A tourist development threatens to poison their paradise and awaken the devil.

A short film made for “Venezia 70 - Future Reloaded”. Several groups of people are filmed repeating a phrase.

Young women, Austrian style. Yesmin is Kurdish and wears a headscarf. She shoots a cheeky burqa video with Bella and Nati which makes the trio famous in the Muslim community. Controversy and alienation ensue. Immediate, exuberantly introverted cinema.

As part of the 2006 Mozart Year, 28 Austrian filmmakers, including Ulrich Seidl, were commissioned to create a minute-long film featuring Mozart's music. Seidl decided on the slaves' chorus from Zaide: "Brothers, let us be merry and bravely defy adversity" rings out while two dimly-lit men give themselves over to purposeless pleasure. They masturbate mechanically and monotonously. Paper towels stand ready next to them, as if waiting for consummation, the climax. Nietzsche claimed that all pleasure seeks to be eternal; Brothers, Let Us Be Merry depicts the hangover left by this unfulfilled utopia.