Impress Telefilm

Four women are pushed to their breaking point in Dhaka’s underbelly, where the only way to survive systemic exploitation is to stop being the prey and start being the threat.

The movie is about a poet and singer Lalon Fakir who belongs to a cult called baul and who believes and inculcates that the value of a human being is above the narrow belief of religions.

A teenager falls in love with her father's servant.

Political Satire '420's double-up '840' aka 'The Great Bangla Democracy Private Limited.'

Fagun Haway is a Bangladeshi historical drama film based on the novel Bou Kotha Kou by Tito Rahman. This movie based on the language movement during 1952 in East Pakistan.

Free as a bird. To wander. To nestle. To take flight. We are not. As India gained its much awaited independence in 1947, a race faced another struggle. Bengal was divided and hundreds of thousands of Bengalis were displaced and divided on the basis of their religion. The Hindus were forced out as East Bengal was made a part of Pakistan and the same fate lay in store for the Muslims of West Bengal. Millions became refugees in their own homeland, and thousands still bear the cross and the scar. The film is a human saga of a truncated land and how people are trying to relive their destiny.

Bilkis Banu lost her husband Hasan on the night of 25th March 1971. She tries to forget him and concentrate on the urban guerrilla movements of Dhaka with Altaf Mahmud, Shahadat, Mrs Khan and many more. But when spies and the razakars inform them, most of their people get arrested and Bilkis has to run for her life, towards her village.

A teenage boy is hired along with the music group of his father by a Zamindar (landlord) for entertaining him until the annual flood is over in the Haor region of East Bengal. But the boy finds out that he has to do something more than the rest of the members of the group are required- he has to satisfy the landlord sensually as well. The wife of the landlord cannot stand this new 'rival' of hers and conspires to kill the boy.

Based on 1947 short story of the same name by Hasan Azizul Haque.

A complicated relationship between a female social worker and a drug addict.

The film tells the story of the legendary 'Shadhin Bangla Football Team' founded during the 1971 Liberation War of Bangladesh. They played friendly matches across India to raise funds which would be used in the war. The film also portrays the personal lives of few players of the team and their struggle and losses during the war. Though the film is inspired by true events, it takes cinematic liberty and mixes fiction with reality as well.

Shirja Mia is grave digger. He begs from village to village to get death news. Now he has only two things in his life. One is a doll which he bought for his daughter and other is a number which he has got from his ancestors. His ancestors believed that if someone could dig hundred graves he would surely be placed in heaven. But no one could ever reach the target. When shirja was young he came to a Char and got married. They had a lovely daughter named Rahela. He had to go to town for work. Rahela asked for a doll from the town. One day Shirja bought a doll, but he couldn't come back to Char due to bad weather. Next day he heard that the tidal bore had washed out the Char. Later he came back to Char. But he didn't find his daughter and wife anywhere. The Char was full of dead bodies. At that time he started digging graves. When one grave left to reach the hundredth, he falls in big crisis with a girl like his daughter. Will Shirja be able to complete one hundred graves?

An aspiring social worker is torn between adopting a child and being a spouse.

After realizing his stolen phone belongs to a famous actress, a scheming daydreamer uses the opportunity to blackmail her.

The story of the Bangladesh Liberation War in 1971 as seen through the eyes of a young boy.

A woman breaks with traditional Muslim culture by living with her boyfriend before getting married, but when the relationship ends, she must face the harsh consequences of being an outcast in her community.

A manifestation of lives of people coming from different classes and beliefs in a steamer as they set out for their journeys. Things start to get out of hand when the steamer gets stuck amidst the passage and deepest secrets and desires start to unfold.

Refugees from East Pakistan flee West Pakistani soldiers aboard a rickety steamboat.

Maloti, a mentally challenged girl, lives a hand to mouth existence with her ailing mother in a dilapidated house. A day labourer named Aju, who usually spends the night at a corner outside Maloti's house, loves her very much. However, because of the stratagem of the village head, Maloti is told to leave her home. The film is the usual story of the oppressed people who suffer at the hands of the powerful.