Impress Telefilm

Four women are pushed to their breaking point in Dhaka’s underbelly, where the only way to survive systemic exploitation is to stop being the prey and start being the threat.

The film tells the story of the legendary 'Shadhin Bangla Football Team' founded during the 1971 Liberation War of Bangladesh. They played friendly matches across India to raise funds which would be used in the war. The film also portrays the personal lives of few players of the team and their struggle and losses during the war. Though the film is inspired by true events, it takes cinematic liberty and mixes fiction with reality as well.

A woman breaks with traditional Muslim culture by living with her boyfriend before getting married, but when the relationship ends, she must face the harsh consequences of being an outcast in her community.

The movie is about a poet and singer Lalon Fakir who belongs to a cult called baul and who believes and inculcates that the value of a human being is above the narrow belief of religions.

Fagun Haway is a Bangladeshi historical drama film based on the novel Bou Kotha Kou by Tito Rahman. This movie based on the language movement during 1952 in East Pakistan.

Based on Qazi Anwar Hussain's novel series Masud Rana aka MR-9.

A teenage boy is hired along with the music group of his father by a Zamindar (landlord) for entertaining him until the annual flood is over in the Haor region of East Bengal. But the boy finds out that he has to do something more than the rest of the members of the group are required- he has to satisfy the landlord sensually as well. The wife of the landlord cannot stand this new 'rival' of hers and conspires to kill the boy.

This is the story of the indomitable dream of two young brothers and their incredible journey in life and their car that has never been defeated. The story of human spirit, sufferings and simple joy.

Intertwined story of a group of friends living together and their romantic complications.

The story revolves around three characters: Annapurna, her son Amulya, and Bindubashini, a woman desperate to become a mother. Annapurna's husband Jadab goes through much hardship to pay for his younger brother Madhab's education; years later, Madhab becomes an eminent lawyer. Madhab's wife Bindubashini comes from an affluent family and is strikingly beautiful. Bindu is childless and when she gets to take care of Amulya, her yearning to experience motherhood finds some fulfillment. Sisters-in-law Bindu and Annapurna share a bittersweet relationship. Bindu respects Annapurna and the latter reciprocates by showering a lot of affection on her. But they have frequent rows over household chores. One day, they have a major disagreement over Amulya's upbringing. The disagreement proves to be irreconcilable. As a result, the two families split. The after-effects of this disagreement reverberate between the two estranged families for a long time.

During the Bangladeshi war for independence in 1971, a group of people flee from their villages towards a safe border.

Free as a bird. To wander. To nestle. To take flight. We are not. As India gained its much awaited independence in 1947, a race faced another struggle. Bengal was divided and hundreds of thousands of Bengalis were displaced and divided on the basis of their religion. The Hindus were forced out as East Bengal was made a part of Pakistan and the same fate lay in store for the Muslims of West Bengal. Millions became refugees in their own homeland, and thousands still bear the cross and the scar. The film is a human saga of a truncated land and how people are trying to relive their destiny.

Shuvaa was named as Shuvashini (one who has melodious voice) but she grows as deaf and dumb. Her father married off her two elder sister Suhashini and Sukeshini with grant ceremony. Now its Shuvaa's turn. Shuvaa and Protap from the same village love and understand each other. Protap asked her father to marry her and her father comes to Protap's parents with marriage proposal. Govinda Goswami refuses the proposal and insults him. Being refused and insulted, Banikonto leaves the village with his daughter and wife to his eldest daughter's house to marry off Shuvaa. Soon after her marriage, her husband Nibaron learns Shuvaa's condition that brings misery for her.

A manifestation of lives of people coming from different classes and beliefs in a steamer as they set out for their journeys. Things start to get out of hand when the steamer gets stuck amidst the passage and deepest secrets and desires start to unfold.

A 40 year old painter, who lives in a wooden and bamboo house on stilts in the middle of a polluted lake on the outskirts of Dhaka City. Alpha's house serves as his painting. Dogs, roosters and birds also share the space with him. There are many moments when he feels a oneness with nature and with the birds and animals that surround him. He also feels deeply drawn to 'an androgynous' male-female identity. Alpha has neighbors in the nearby slum with whom he has close interaction.

Khorshed chairman is an honest person and rules in favor of justice. Alamin is his dearest assistant who lives with his mother at Khorshe'd house. Alamin and Khorshed's daughter are in love. When Alamin's mother gets to know about this she wants to send her son away. Khorshed denies to leave Alamin but upon knowing about the relationship, he himself sends Alamin abroad. But tragedy follows Khorshed when he gets accused of murder. Some unexpected events start to unfold since then.

The story of the Bangladesh Liberation War in 1971 as seen through the eyes of a young boy.

Maloti, a mentally challenged girl, lives a hand to mouth existence with her ailing mother in a dilapidated house. A day labourer named Aju, who usually spends the night at a corner outside Maloti's house, loves her very much. However, because of the stratagem of the village head, Maloti is told to leave her home. The film is the usual story of the oppressed people who suffer at the hands of the powerful.