Triángulo

Drifting between moving-image formats and collaging local textures and bygone voices, Oscar Ruiz Navia’s film reflects on loss and mourning as experiences of temporal dislocation.

Machado is harvesting grapes in France when he is asked to carry out a tricky mission: to steal an emerald back home in Colombia. A tale full of swindles that swings elegantly between bourgeois greed and the rigours of doing what needs to be done.