Nederlands Filmfonds

Hsiao-Kang, a Taiwanese film director, travels to the Louvre in Paris, France, to shoot a film that explores the Salomé myth.

Jean is a family man and factory worker who dreams of becoming a songwriter. Pinning his hopes on his teenage daughter, Marva, he takes her to singing contests in which the awkward and overweight girl struggles to belt out a tune. When Jean is suddenly fired because of cut backs, he is ashamed and even more desperate to have his daughter succeed. In a chance meeting Jean kidnaps the most famous pop star in the country and holds her hostage demanding to be heard by the music industry. Catching the attention of the media and the eyes of the nation, Jean and Marva realize that the show must go on until everyone is famous.

Jade (19) lives with her two friends Rex and Bo in a secluded mobile home, surrounded by a dense conifer hedge. Under Rex’ direction, Jade follows a strict regime, but at night Bo tempts her to break out of it. Meanwhile an unknown woman makes frantic attempts to get through to Jade. Which only adds to her confusion.

Following the death of their parents, Harriet and her siblings must unpack their childhood fears as they prepare to sell their dragon-filled Oxfordshire home. Between the clutter and the boxes, the siblings find themselves haunted by the memories of their late parents: a dragon-obsessed father and an exacting mother, and the esoteric collections of objects they left behind.

A woman looks back on her life, through narration and song. In Mother Suriname – Mama Sranan, filmmaker Tessa Leuwsha uses a stream of fascinating colorized archival footage to illustrate the lives of Surinamese women like her grandmother, who was a washerwoman.