When eight men are assigned to live 14,000 kilometers from home in inhumanly cold conditions, food becomes their new existence.

Kohei Miyazaki (Naoto Takenaka), a former railroad worker, has become obsessed with locating the ancient country of Yamatai. His obsession sprouted from a day when he discovered ancient ceramics while repairing railroad tracks. Now completely blind, Kohei relies on his wife (Sayuri Yoshinaga) to guide him through the country and read the maps in their pursuit of Yamatai.

Due to the economic recession, the orchestra is shut down. The members hear later that the orchestra will be reformed. Only some of the members, who have not yet been rehired, gather for the orchestra. For the first time since they disbanded the orchestra plays together, but they sound horrible. At that time, the conductor Tetsusaburo Tendou appears in front of them.

A Japanese Class B war criminal sets out to take full responsibility for the execution of American Airmen.

In May 2003, the Japan Aerospace Exploration Agency (or JAXA) launched an unmanned spacecraft of their own development to retrieve samples from an asteroid. Seven long years later, Hayabusa achieved its goal and was the first of any kind of craft launched from Earth to safely return samples of this kind to home base. The story was one of such great national pride for Japan, and in the wake of the tsunami and resulting tragedies in Japan it’s strong nationalistic message became the subject of no less than three rival films. Yukihiko Tsutsumi’s high-profile effort, simply titled Hayabusa (2011) starred the incomparable Toshiyuki Nishida. Most recently, Welcome Home, Hayabusa (2012) was released to Japanese audiences. Slipping in between those two was Hayabusa: The Long Voyage Home, concentrating on the people on the ground who helped return the probe safely.