On a quiet night in the library, a young librarian prepares to head home alone, until something lurking in the shadows begins to creep closer.

A man lies asleep on a bed. A gust of wind. A rumbling. He walks around, taking photographs. Messages from both his dreams, and mine, where we are haunted by people in student uniform.

I find myself looking back at memories of the past, where the feelings I hold now have become nothing more than fragments of memory. Everything begins to overlap – who I am now and who I was then. As I walk through the forest, the voice of my past echoes faintly, just fragments lingering in the air...

A moving image captured by the director in 2025 depicts a late afternoon at a Catholic school in Thailand, as children leave for the day, mingling with teachers and parents waiting to pick them up. At a stone bench, two brothers, JAVA and JINO, are seen chatting, the elder being a friend of the director. The footage, originally shot on the director’s mobile phone, was later transformed to evoke the style of a silent film: the visuals were toned to resemble aged black-and-white film and accompanied by music from City Lights (1931) by Charlie Chaplin, enhancing the atmosphere reminiscent of the silent cinema’s final years in the early 1930s.

It all starts with him having to pitch a product to a client. The product is glasses. This turns into an action film where martial arts warriors battle it out, with the glasses serving as a game-changing power in the fight.

A fragmented, poetic essay film that drifts between memory, dream and hallucination, following an old man haunted by an elusive voice and a fading childhood. In a space where sleep blurs the border between the real and the unreal, the film contemplates family, loss and the quiet violence of growing up.

Kua lost "P'Tum," a film history teacher whom he loved and respected. He goes to the same classroom to recall the memories with P'Tum.

A short story in three parts—verbally contemplating on the death of an insignificant person—riddled with self loathing of both the living, and the dead. For death is a bitter tasting joke with no set-up; only a shocking punchline leaving those who remain with the unbearable weight of grief and longing.

The catastrophic chaos of final-year film students desperately trying to finish their thesis project—only for the editor to lose the entire freaking file.

Two men are arguing whether what they see is fog or smoke.

On a lonely night, Aaron, a guy with a heart as empty as his fridge, desperately craved a taste of true love. So, naturally, he turned to Fast Food Jesus for help. Fate (or maybe just greasy miracles) led him to cross paths with a mysterious woman, as stunning as the dream love he’d been binge-watching in his head.

A man embarks on a journey to discover his identity, navigating through overlapping realms of surreal dreams.