Endorfilm

After years together, Petr and Hana, partners in work and in life, share their unspoken erotic fantasies. What begins as an innocent conversation gradually turns into curious experimentation with a non-monogamous approach to their relationship. But sexual freedom tastes differently for each of them.

On New Year's Day, two boys wind up in the apartment of Katerina, a teacher from their school, along with her friends, Stepan and David. As the older trio bickers, drinks and flirts, the boys gain eye-opening insight into the adult world.

A village mayor is trying to bring together local people in their thirties who are still single. 21st century social engineering in a situation documentary by Erika Hníková. Slowly but surely, the Slovak village of Zemplínske Hámre is dying out. But its mayor, a retired general, refuses to give up. In fighting the thirty-year-olds‘ solitude he has used a variety of weapons such as offering a financial incentives for every newborn child or encouraging childbearing via the local PA system. None of it has worked. However, the mayor has a new plan. He decides to organize an evening get-together for singles from all the neighboring villages. Will our heroes find their partners after all?

Mischievously self-assured Mára and somewhat eccentric Heduš set out into the frozen wastes in search of adventure – by car, naturally. After all, Mára’s turning fifteen soon. A road movie about the flies that occasionally buzz around even in winter, and a story that tells of the elusive bond of boyhood friendship and the irrepressible desire to experience something, even if you don't exactly know what.

Hoping to keep his recently fractured family together, David takes his children, Klára and Teo, on holiday to the Adriatic. There, teenage Klára, who struggles with an eating disorder, falls in love with a local boy, Denis. When Denis is accused of murder, Klára's condition worsens, and she ends up in hospital. The desire to save her is the only thing that unites her parents, and crisis situations call for drastic measures.

Based on the novel by Jáchym Topol. Potok works as a set designer in a small theater. He is in his thirties and his life is essentially going nowhere. He views his surroundings and himself with contempt. His aimless life only changes when he meets Černá. The couple in love escapes from the city. Inevitably, however, they once again encounter human calculation, shallowness, and bad taste. Potok falls back into his former skepticism, which leads to the total breakdown of their relationship. Černá leaves him, and a desperate Potok slowly comes to a more conciliatory attitude toward the world, where there is no longer any place for great love and dark romance. Unlike Jáchym Topol's literary work of the same name, which takes place during the three years after 1989, the film ignores the time frame. It focuses on the hero's internal conflicts, which are timeless.

"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.

Set in early 19th century Wallachia, Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.

A couple embark on an early vacation. Left alone, their children cut loose until the boy gets caught for skipping school and things take an unexpected turn. Boasting exquisite camera work, the film is also unforgettable for its wholly original ending.

A story of children who feel safer in the streets than at home, about children seeking out sturdy lifeboats that cross between the world of fantasy and the harsh reality of life. Jarka is one of these children. Ten years-old, and living with a mother who is not yet ready to be a mom, Jarka spends most of her time alone. Pushed by her desire for love and to form a fully functional family, she finds herself substituting a "mother" to two babies.

Inspired by true events of the 1989 Czech and Slovak Velvet Revolution and Václav Havel's controversial release of 23000 prisoners. In addition to the story of three families affected by communist persecution, the film Amnesty also deals with the uprising of prisoners in Leopoldov, which required military intervention. The uprising was preceded by a broad amnesty granted by Václav Havel in January 1990, just a few days after his election as Czechoslovak president.

A man who believes his days are numbered is saddled with more bad luck than he expects in this metaphorical comedy-drama from director Ivo Trajkov. Ever since he was a boy, Josef (David Svehlik) was been convinced he's destined to die at the age of 29, so he's understandably nervous as his 28th year is drawing to a close. Fate doesn't appear to be on Josef's side when his wife asks for a divorce and moves out, taking their young son with her, and he's next fired from his job fixing scales. Josef is in an unsettled state of mind, and his new friendship with free-spirited Gabriel (Karel Zima) doesn't help much, but Josef begins to wonder if luck is on his side again when he meets a lovely and warmed hearted woman, Olivia (Verica Nedeska).

Vlasta and Tonda don't have much longer to live but they do have one more important task ahead of them - to find and kill the communist prosecutor who sent them to prison in the 1950s. An unusual road movie about two former political prisoners who fight for justice despite every obstacle.

Petr and Simona have been living together for twenty-five years. They have nine children, with whom they live in caravans on a meadow in Šumava – without television, computers, or running water. The authoritarian Petr calls himself a "professional father." He guides his offspring toward freedom and harmony with nature, while trying to protect them from the harmful influence of consumer society. The children only go to school for exams—their college-educated parents teach them at home. At first glance, the family cohesion, which is practically unparalleled in today's Western world, seems idyllic. Upon closer inspection, however, doubts begin to arise. The film Still Together explores the price of a free life outside of society and asks: is there a recipe for the ideal family?

A bee-keeper initiates fight against the society of consumption for saving the bees.

Driving along the motorway, Will loses his sense of scale. As his crippling drug addiction deepens, he struggles to unpick the sequence of events that led to his predicament, before he's lost forever.

A tragicomedy about a medium-sized Czech railway station in the summer. The railway workers deal with, or rather try to deal with, their small "interactions" against the backdrop of the disappearing genius loci of the place in which they find themselves, in a very humorous and exaggerated way.

A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.

Thirteen years after Milan Daniel suffered a serious head injury in a racially motivated attack, his assailant is set to be released. What feelings does this moment awaken in a traumatized man who, though he survived, will forever suffer the consequences of that fateful day? Straddling the line between fiction and documentary, the feature debut by Slovak directors Šimon and Anna Domček is an exceptionally cohesive mosaic of fragmentary pieces of everyday life, memories, dreams, and subjective perceptions. Besides exploring the experience of someone seeking to escape the shadows of the past – shadows that weigh heavily on future generations as well – the film also takes an unusual approach to the subject of racial intolerance.