Manacoa Films

Pocho Martin's body is found dead on the shore of a fishing village. According to the forensic Ramiro, Pocho has been assassinated, which alerts the Commissioner Carlos. Young Silvia, Pocho's friend, receives the sad news but is more concerned about her impending wedding with Andy. Crackpot Oscar speaks to Carlos of the dangerous sirens of Deer Island, evil women who attract sailors and annihilate them. When Ramiro and Carlos go to the island, they find the sisters Lila and Mary, who run a tavern / brothel near the beach. Carlos and Lila are old acquaintances and celebrate the reunion, but the murder of Pocho remains unsolved.

A comedy set mostly on the beach, where countless men are trying to impress various women.

A struggling composer named Juan and his bride Ana become targets of spies while on their honeymoon. The spies want to get their hands on Juan’s latest score “Butterfly 2” as they believe that it contains a valuable secret formula.

Amid the craggy, dusty hills of southern France, a woman screams in the night. Gorgeous Melissa Comfort, a wealthy heiress confined to a wheelchair since birth, cries out in her nightmares, terrified of a dream that comes night after night. In this night terror, she's 10-years-old. Running from a man who may or may not be her father.

Dean, a failed American writer, receives some unexpected news: his wife, who belongs to a wealthy family, has filed for divorce. Stunned, he decides to commit suicide. His initial attempt fails when he has second thought. But during a drunken blackout spent gambling he wins big and promises all the winnings to the man who can kill him...but they must possess a special playing card.

After the passing of director Jesús Franco the movie was finished by Antonio Mayans. It follows "Al Pereira vs. the Alligator Ladies".

The film resembles a Ten Little Indians plot, with the crew of a Western film in post-production (who are staying as guests on an island retreat) cropping up as corpses one by one after the mysterious and inexplicable kidnapping of a child. The film plays up its traditional mystery angle, with each of the guests being as likely a suspect as the next, in scenes such as one in which all of the guests sit around in the parlor and cast dramatic, accusatory glances at one another.

100 years later. The condemned women are still under the spell of Fata Morgana.