Edison Manufacturing Company

Billie is the "little mother" of the family and cares for the two smaller children. Her father has fallen under the spell of drink. Billie has become hardened by her struggle against the drink demon in her father and treats him with scant consideration.

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.

A brief vaudeville-style demonstration of a "Dog Transformator," a machine that instantly turns dogs into sausages, and amazingly, sausages back into dogs.

Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.

A short film depicting the execution of Mary, Queen of the Scots. Mary is brought to the execution block and made to kneel down with her neck over it. The executioner lifts his axe ready to bring it down. After that frame Mary has been replaced by a dummy. The axe comes down and severs the head of the dummy from the body. The executioner picks up the head and shows it around for everyone else to see. One of the first camera tricks to be used in a movie.

The sinister mesmerist Svengali hypnotizes two characters, then dies abruptly in a Trilby segment from David Henderson's Aladdin, Jr. burlesque. Lost.

A woodsman leaves a hut followed by a woman with their baby. Nearby some men chop down a tree. The baby is left outside the hut, but an eagle flies away with it.

“A comic subject, clear, bright and characteristic. Shows four girls in their night dresses, engaged in an animated pillow fight. During the action the pillows become torn, and the feathers fly over their heads and about the room in great numbers, producing with the white dresses and the black background a novel effect. Sharp, full of action, and popular in character.” (Edison Catalog)

The sinister mesmerist Svengali hypnotizes a group of people and compels them to perform various humorous acts in a Trilby segment from David Henderson's Aladdin, Jr. burlesque. Lost.

A broken-hearted husband thinks about the past as he sits by the fireplace.

A woman being fitted for shoes exposes her ankle to the shoe clerk, who is intrigued. He kisses her, but her chaperone hits him with her umbrella.

A portrait of the Dam family.

A “madman” escapes prison and the torments of his warders.

A live-action film adaptation of the comic strip Dream of the Rarebit Fiend by American cartoonist Winsor McCay. This silent short film follows the established theme: the “Rarebit Fiend” gorges himself on rarebit and thus suffers spectacular hallucinatory dreams.

The Leigh Sisters perform a risqué Trilby-inspired dance with an umbrella. Scene from David Henderson's Aladdin, Jr. burlesque. Lost.

It shows a garden wall in the background. Two lovers appear and lean over the garden gate where the moon throws a shadow upon the ground. The young man invites the young lady to a settee, when the moon's face brightens into a very pronounced grin. As the pair begin love making, the moon winks one eye and then the other, and, finally, as the lovers become more interested, the moon comes down from the sky with a grin on his face as large as an old-fashioned apple pie.

A comic picture that defies description. It depicts the Twentieth Century up-to-date tramp flying over the chimney tops of New York City in the latest improved flying machine. Weary Willie has the indispensible tin can hanging from his waist and he waves his hands to his friends as he flies along. He passes over the top of the Equitable Life building and other New York sky scrapers. He flies over the East River and clears the top of the Brooklyn Bridge, and appears to be making his way toward Staten Island. When he is about in the centre of the river, his flying machine explodes, and like the unfortunate McGinty, down goes Weary William.

Renactment of a skirmish that was likely to have occurred in the Russo-Japanese War. Opens with an establishing scene entitled "A Japanese outpost on the Yalu River," which shows the Japanese soldiers of the infantry outpost doing rifle drills and raising the flag. Following scenes are entitled "The Attack," "The Capture," and "The Retreat". In them, the Japanese fire their cannon; the Russian infantry demolish the camp, replace the Japanese flag with their own, and then fire their rifles at the enemy; and the Japanese recapture the outpost and once again run up their flag. Photographed from a single camera position.

A country girl leaving home for the seminary.