Edison Manufacturing Company

An excerpt of the Shakespeare play presented in the Kinetophone sound system, in which the sound was provided by synchronized Edison cylinders.

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.

They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.

Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.

William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.

Porter's sequential continuity editing links several shots to form a narrative of the famous fairy tale story of Jack and his magic beanstalk. Borrowing on cinematographic methods reminiscent of 'Georges Melies' , Porter uses animation, double exposure, and trick photography to illustrate the fairy's apparitions, Jack's dream, and the fast growing beanstalk.

A handful of short tales of love, framed by leaf masks.

It's a busy day at the office, and the stenographer is exhausted from trying to keep up with the demands on her skills. Even when she stays late, she cannot catch up with all of the work. But then a man comes into the office to demonstrate the many advantages of the Edison System, his company's new business phonograph.

A silent short drama film shot in three parts about cocaine.

A generous boy tries to help a girl who does not believe in Santa Claus because of her family's poverty.

A short film depicting the execution of Mary, Queen of the Scots. Mary is brought to the execution block and made to kneel down with her neck over it. The executioner lifts his axe ready to bring it down. After that frame Mary has been replaced by a dummy. The axe comes down and severs the head of the dummy from the body. The executioner picks up the head and shows it around for everyone else to see. One of the first camera tricks to be used in a movie.

Made by the Edison Manufacturing Company and directed by Edwin S. Porter, the film starred Gladys Hulette as Alice. Being a silent film, naturally all of Lewis Carroll's nonsensical prose could not be used, and, being only a one-reel picture, most of Carroll's memorable characters in his original 1865 novel similarly could not be included. What was used in the film was faithful in spirit to Carroll, and in design to the original John Tenniel illustrations. Variety complimented the picture by comparing it favorably to the "foreign" film fantasies then flooding American cinemas.

Billie is the "little mother" of the family and cares for the two smaller children. Her father has fallen under the spell of drink. Billie has become hardened by her struggle against the drink demon in her father and treats him with scant consideration.

Extremely condensed version of the Mark Twain story of a royal heir and his poor doppelganger trading places.

As the above title indicates, the scene does not take place in an ordinary restaurant, but one in which all natural rules of order and gravitation are reversed. The couple above mentioned have a most trying experience while endeavoring to partake of a square meal. They find themselves flying about the room from chairs to table, and vice versa, until they are both completely bewildered, ending in a general mix-up, which is sure to provoke much merriment. The film was a Vitagraph production filmed somewhere between late 1899 and September 1900 at the company's rooftop studio in New York City, but later acquired and copyrighted by the Edison Company on December 1901.

A broken-hearted husband thinks about the past as he sits by the fireplace.

In the artist's studio, he asleep in his chair. A large old fashioned clock opens and a young lady comes out and awaking the artist, requests him to paint her picture. While the artist is executing the work a clown comes from the clock, takes in the situation and begins to make love to the lady. The artist detects him and compels him to desist his love making. He continues to paint. The clown becomes interested and asks the artist to allow him to paint the picture, and begins smearing a whitewash brush over the canvas, and a most perfect image of the young lady appears. The image then steps down from the frame, joins the young lady in the studio, and the figures, each a perfect counterpart of the other begin to dance to the great astonishment of the artist. The clown waves his hand causing the figures of the two girls to merge into one. The artist then assumes his seat and awakens in shock. The film was a Vitagraph production, but later acquired and copyrighted by the Edison Company.

A Kinetophone short featuring Andrew Carnegie speaking on “The Duty of the Wealthy Man,” recorded January 20, 1914, at Edison’s Bronx studio (production number 5113). The motion picture element is presumed lost; however, the synchronized sound cylinder survives.