Pennebaker Hegedus Films

John Lennon, Yoko Ono, Little Richard, The Doors, Chuck Berry, Alice Cooper, and other legendary musicians performed at the 1969 Toronto Rock and Roll Revival music festival. This behind-the-scenes look at “the second most important event in rock and roll history” culminates in John Lennon’s first public performance with The Plastic Ono Band, triggering his decision to leave the Beatles.

Hammersmith Odeon, London, July 3, 1973. British singer David Bowie performs his alter ego Ziggy Stardust for the very last time. A decadent show, a hallucinogenic collage of kitsch, pop irony and flamboyant excess: a musical symbiosis of feminine passion and masculine dominance that defines Bowie's art and the glam rock genre.

Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.

A collection of rare outtakes and performances from Pennebaker's 1965 documentary Don't Look Back.

A film featuring the veteran soul music artists and music of Stax Records. It tells the story of soul, a musical genre that was to have a major influence on other styles of music for decades. Ten legends of soul talk about the beginnings and still show at their concerts today that, despite their advanced age, they have lost none of the energy and joie de vivre that defines this music.

The collar awarded to the winners of the Meilleur Ouvrier de France (Best Craftsman in France) is more than the ultimate recognition for every pastry chef - it is a dream and an obsession. The 3-day competition includes everything from delicate chocolates to precarious six foot sugar sculptures and requires that the chefs have extraordinary skill, nerves of steel and luck. The film follows Jacquy Pfeiffer, founder of The French Pastry School in Chicago, as he returns to France to compete against 15 of France's leading pastry chefs. The filmmakers were given first time/exclusive access to this high-stakes drama of passion, sacrifice, disappointment and joy in the quest to have President Sarkozy declare them one of the best in France.

With only an oversized shirt, black tights, and a chair, Elaine Stritch performs her autobiographical one-woman show at London's Old Vic Theatre featuring tales and songs from her 50-plus-year career on stage and screen.

Renowned filmmakers D A Pennebaker and Chris Hegedus follow determined animal rights activist Steven Wise into the courtroom for an unprecedented battle that seeks to utilize the writ of habeas corpus to expand legal “personhood” to include certain animals. Wise’s unusual plaintiffs—chimpanzees Tommy and Kiko, once famed showbiz stars—are now living in filth, struggling to survive. Wise and his impassioned legal team take us into the field, revealing gripping evidence of such abuse and plunging us into the intricacies of their case as they probe preconceived notions of what it means to be a non-human animal.

Alice Cooper and band’s first performance, organized by his friend Frank Zappa, at the Toronto Rock and Roll Revival in 1969.

A diagnosis of Chronic Lyme disease lands patients in the middle of a contentious medical debate and sparks an explosive investigation dating back to 1975 that shockingly reveals why ticks, and the diseases they carry, have been allowed to spread globally.

This brief portrait follows 28-year-old campaign manager John Grenier as he maps out strategies for Barry Goldwater’s 1964 presidential run and engineers a takeover of the Republican convention.

In 1973, John DeLorean was most likely going to be the next president of General Motors, when he turned his back on his $650,000 a year job and focused on a grander dream... to build his own car company (the first new American car company since 1925). In 1978, DeLorean built the most advanced auto factory in the world in under 18 months, from the ground up in a small suburb of Belfast, Northern Ireland.

The filmmakers accompany Alan Schneider, director of the American premieres of most of Beckett's plays, and producer Daniel Labeille to the home of Billie Whitelaw, whom Schneider, ironically, had never met previously, and takes us through the rehearsal process of Beckett's newest play, including the recording of the dialogue, as almost all of it is voiceover. The final fifteen minutes of the film are the premiere performance in its entirety.