Pink Bear Productions

Artist Htoo Lwin Myo excavates the lesser-known and wildly joyful history of Myanmar’s horror and genre film industry in the 1950s that has persisted through political turmoil and archival neglect, told directly by the people who made it.

The son of ex-revolutionary parents from the countryside tries to detach himself from the past while facing present reality with his hereditary mental illness.

Artist-filmmaker Htoo Lwin Myo examines some of the earliest pre-cinematic objects portraying Myanmar's colonial past: magic lantern slides. A polyphonous essay on the perils of history and the many stories we can find in the remains of times gone.