Das kleine Fernsehspiel

Vincent, a 36-year-old employee of an art gallery in Manhattan, has an affair with a young girl. The girl sells him a painting of a girl with a severed head and a large, headless falcon. Both the painting and the girl attract Vincent in a way that first excites and then repels him.

Over the course of a century, as four girls from different time periods experience their youth on a German farm, their lives become intertwined until time seems to dissolve.

Fifteen-year-old Gabo seems like a regular teenager who goes to school, plays video games with his best friend, and does other things a normal teenager would do – except he’s not. He has tendencies he knows to be wrong, but cannot control. He befriends Dave, a much older man with his fantasies. Lines soon start to blur between a trusting friendship and being groomed. Once Dave is arrested on suspicion of statutory rape, Gabo must suddenly decide whether to testify against his mentor with the risk of exposing his secret.

Julia and Tobias discover that their daughter Marielle has suddenly developed telepathic abilities and can see and hear everything they do. This leads to situations ranging from the awkward to the absurd as uncomfortable truths are revealed.

In their feature-length debut, Gossing/Sieckmann dive into the merfolk subculture with performance artist and siren Una. Genre elements, fiction and documentary, self-care, political activism and self-chosen identities blend into one another.

Nore and Jonna meet again by chance in their early twenties and move in together. In conversations, it becomes clear that Nore was never the precocious "femme fatale" who admired as well as bullied Jonna, but experienced sexual assault as a young girl. As Nore struggles to reclaim the narrative for herself, a genuine friendship develops.

Katharina, Ricky, Victoria and Malou live in an assisted living group. There they have built up an anarchic utopia as an alternative to everything they reject: Parents, school, rules. With social worker Ballack as a half-hearted guardian, things go well until their “live and let live” agreement starts to falter.

David is a raw vegan influencer. In addition to spreading supplements, he also shares stories about dark forces and God. SOLDIERS OF LIGHT delves into a complex world between conspiracy ideologies and self-optimization, portraying people who want to establish a kingdom in Germany.

Four young people from Berlin decide to spend their summer in Portugal. They throw away their smart phones, open up their relationships and try to free themselves from any social norms. But just as their utopia comes true, a devastating forest fire breaks out around them.

Today, Mel (34) belongs to the winners in life, but that wasn’t always the case. The thought of her own past so upsets the self-made millionaire’s that she summarily buys the large panel systems-building where she grew up. She would like to come to terms with her history, but the past is a stubborn beast.

In a society where caregiving is rarely valued, four idealists seek to change the system from within with tenderness, love and care - and start a tender revolution.

The filmmaker delves into her family's past and the seemingly intact world of childhood begins to fall apart. Here, the private sphere reflects the helplessness and excessive demands of German society in the 1970s - between the shadows of the National Socialist past and new utopias.

Every year many thousands of people visit the mighty Nanjing Yangtze Bridge. Every year dozens of them have no intention of leaving the bridge alive. But there is one person determined not to see them plummet to their deaths: Chen Si. For some 13 years now he has sacrificed every free weekend to patrol back and forth across the bridge on his motorcycle.

Toro is the tragicomic odyssey of Rocco and Angelo, two friends navigating the challenges of adulthood in their late thirties and the struggles faced by a new generation of young men.

Documentary film about the tree house occupation in Hambacher Forst in the fall of 2018, shortly before their eviction by the police.

In conversations with her parents Yıldız and Mustafa as well as her brothers Taner and Onur, she goes on a painful journey into the past. Political persecution of the Alevi-Kurdish family in Turkey, the flight to Europe in 1989, several racist attacks, depression and excessive demands on the parents – the effects on the three siblings are different. Dealing with the experiences and strokes of fate causes different reactions in them. Bektaş quickly realizes that the uncertainty about Taner’s fate in Turkey is only a reflection of her life experience as a family in exile.

The great Egyptian documentarian El Abnoudy skillfully and subtly undermines the tendency towards nostalgia regarding the subject of manual labor in her work by showing that this job is now almost exclusively carried out by women and older men, while the young men strive for better professions or abroad.