Les Films du Poisson

Kate and Matt discover that a part of their house can grant wishes. In the wake of two miscarriages, what they want most is a child.

A small group of French high school students goes on a school trip to Pompeii to discover its ruins and the bodies petrified by Vesuvius in 79 CE. It is in this ghost town that they are suddenly overcome by a dizzying sensation. One after another, James, Toni, Suzanne, and their Latin teacher, Mme Mercier, allow themselves to be engulfed by desire, anger, and despair—until they surrender to it completely and lose everything.

Forty years after the release of Claude Lanzmann’s monumental film Shoah, Guillaume Ribot reveals the director’s relentless pursuit to tell the untold, using only Lanzmann’s words and unseen footage from the masterpiece.

As winter sets in and P.A. sees the world shifting around him, he starts to observe strange phenomena in the environment. The changes are imperceptible at first, but gradually his whole world seems to be on the brink.

1979: Cousins Carole and Jérôme go on an organized trip to Odessa, behind the Iron Curtain. During the day, posing as tourists celebrating their engagement, they visit monuments and museums. In the evening they slip away from the group and meet “refuseniks”, Jews persecuted by the Soviet regime for wanting to leave the country. While Carole is motivated by political commitment and a taste for risk, Jérôme’s motivation is Carole.

At a sports boarding school, talented young boxer Camille narrowly survives a fatal accident, saved by his best friend Matteo. After a swift recovery, an inexplicable pain gradually takes hold of him, threatening his dreams of greatness and his relationship with the team. In the ring and in a man's world, there’s no room for weakness.

Josephine goes from Brussels to Paris by foot. She follows the direction taken by the Thalys, the rapid train she usually takes for this journey. She stops along the way, depending on people who allow to her rest awhile.

After leaving France in search of a better life in America, a television producer returns with a group of burlesque dancers to take the Paris club scene by storm.

David Miller wants to die and chooses assisted euthanasia. He planned everything: the place, the time and the manner. However, nothing goes right. With Esperanza, member of the association, and Tréplev, young prostitute, David embarks on his ultimate night with total strangers.

In the first of the three linked episodes of French writer-director Emmanuel Finkiel’s delicate, poignant Voyages, a bus tour of Poland, by present-day French survivors of the Holocaust, suffers a mishap: en route to Auschwitz from a Jewish cemetery, the bus breaks down. In the second episode, one of them confronts the possibility that her father, long presumed to be among the Six Million, in fact survived; but is he her father?

In the last days of the Nazi-occupied France, writer Marguerite Duras awaits the return of her husband, Robert Antelme, arrested for being a Resistance fighter and then deported, while she maintains a tense relationship with her ambiguous lover and a dangerous game with a French collaborationist. Even when the Liberation arrives, she must still endure the unbearable pain of waiting.

A retired professor in his seventies enjoys a quiet, carefree life – until his daughter, amid a marital crisis, arrives with her two unruly children. As his peaceful routine unravels, he’s drawn into the chaos of family and unexpected emotions. Through this upheaval, he rediscovers the beauty and pain of love, and the deep human need to connect—despite the cost.

6000 mensonges comes to the spectator as lightning in a clear sky. What starts as a recollection of prenatal images we are used to seeing suddenly becomes a dive into an unknown territory, in which the border between reality and fiction is no longer relevant. The result is a striking, haunting and powerful testimony of a devastating experience that is lived by many in silence, told in the most contemporary possible way.

At dawn, Clarisse takes a last look at her husband and two sleeping children, hesitates to leave a note, and hits the road. A desperate escape that gradually reveals its layers as Clarisse — who seems to have an extra-sensory connection to the family she has left behind — loses herself in the world.

Nathan, an author with writer's block, goes out to meet his good friend Francis in town. As the day unfolds, the pair stumble into various scenarios inspired by their favourite films.

A married couple lives in a state of mutual loathing, contemplating divorce until they invite their younger neighbours over for a drink. In that moment, the happy young couple is dragged into the bitter resentment and psychological warfare of the older pair.

The O'Neills lived happily in their house in the Australian countryside. That was until one day fate struck blindly, taking the life of Peter, the father, leaving his grief-stricken wife Dawn alone with their four children. Among them, eight-year-old Simone denies this reality. She is persuaded that her father still lives in the giant fig tree growing near their house and speaks to her through its leaves. But the tree becomes more and more invasive and threatens the house. It must be felled. Of course, Simone won't allow it.

In 2016, French writer and photographer Carole Achache took her own life. After Carole's death, her daughter Mona Achache, a film director, discovers thousands of photos, letters and recordings that Carole left behind, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation with the help of actress Marion Cotillard, the director brings her mother back to life to retrace her journey and find out who she really was.