Memoria artis

Love Found is a short film about the search for mutual understanding between a mother and her son, who are unable to communicate and find a way to connect with each other. Neither of them realizes how much they need each other, and it takes an utterly absurd situation involving an online scam to make them aware of it. Directed by Matěj Macháček, this drama not only explores misunderstanding but also forgiveness and maternal love. The absurd situation evolves into a psychological drama, allowing the acting performances of Barbara Lukešová and Kristián Kašpar to truly shine.

Documentary portrait of the poet Karla Erbová is a confession of a creative personality who, despite many twists and turns in life, remains true to her ideals and moral values. We witness the final year of the author's life, during which, even at the age of ninety, she continues to engage in public appearances and, above all, actively works on her craft. Through letters that Erbová wrote to her friend, the film offers an intimate, often self-deprecating reflection on old age, solitude, and relationships with loved ones, as well as an indomitable faith in poetry. The film "Ulita" not only highlights the pivotal moments of her life but also serves as a sociological exploration of the lives of the oldest generation.

91 year-old Zbyněk Ungr reflects on his career as a writer of literary radio programs at the Plzeň Radio Station, with which he has been connected since its very first broadcast. As a twelve-year-old boy, he witnessed the now-legendary announcement: "This is Plzeň speaking, free Plzeň is speaking." Even at his advanced age, Ungr maintains a director’s perspective, engaging in discussions with the filmmaker during shooting about the meaning and value of the documentary being made about him.

Diptych is a short documentary portrait of two artists — painter Květa Monhartová and sculptor Miroslava Nová. Against the backdrop of their long-standing friendship, the film explores both the contrasts and harmonies between two entirely different artistic philosophies. In her dialogue with stone, Miroslava Nová allows nature itself to speak, rejecting human intervention and striving for purity of form and meaning. In contrast, Květa Monhartová perceives painting as a space for embodying personal experience and emotion. Beyond a subtle reflection on friendship, the film reveals how essential artistic creation is for both women as a means of self-discovery and expression of personal identity.