A. Khanzhonkov and Co.

Based on the story "The Man from the Restaurant" by I. Shmelev. The creators of the movie are unknown. The movie is preserved without inscriptions.

Based on Lermontov's poem of the same name, Boyar Orsha (Peter Chardynin) leaves the service of Ivan the Terrible.

A significant part of the 1912 production "A Life for the Tsar" was used in this film.

Five-episode adaptation of the eponymous Russian novel, directed by Pyotr Chardynin et al.

A tragic story of a ballerina.

The waiter Antosha is in love with the restaurant owner's daughter. This distracts Antosha from his work and the owner is going to fire him. The notary appears and informs the owner that Antosha is receiving a large inheritance. He sets up a three-year contract with Antosha which, In the event of its early termination, the owner receives a large amount. Drunk, Antosha signs the contract, and the next day he becomes rich. Antosha wants to quit right away, but after seeing the contract, he remains to work. At night, he leads the luxurious life of a rich man. The owner of the restaurant is trying this way and that to fire Antosha. But he manages not only to avoid being fired, but also to marry his daughter.

The movie has been preserved without inscriptions.

To thwart the manipulative habits of his flirtatious young wife, an old man reads the invaluable book, 'One Thousand and One Feminine Ruses - Practical Directions for Elderly Husbands.' Thanks to the book, the husband manages to foil many of his fickle partner's plans, but she's determined to have the last word.

The aging writer Shelestov falls passionately in love with a young actress Olga Rogina and wants to marry her. They spend many evenings together and, it seems, their story is approaching a happy denouement. But suddenly, a plane of a famous aviator lands near the town because of a plane breakdown. Romantic Olga falls in love with him and, leaving Shelestov, flies away with the pilot of the plane. The writer becomes desperate and commits suicide.

Filming of the collection of donations during the cinematic film week "To a Soldier in the trenches" in Moscow at the A. Khanzhonkov Theater on November 30, 1915.

The play written down by Al. Voznesensky for the stage, not in vain called by the author "drama without words", because its plot, indeed, does not require "words", although they had to be introduced in small quantities when the play was adapted for the screen.

A female doctor is so busy with her work that she has too little time for her fiancé. He falls in love with a waitress and the two have a child. Though considered by some to be a proto-feminist yarn, the film dwells on the consequences that equal rights for women may generate rather than openly champion suffrage. Similar in to Ibsen's The Doll House in many ways, the film provides mannered, solemn melodrama, ably acted by Mosjoukine and Yureneva.

After being betrayed by her playboy lover, a heartbroken mute young woman joins a ballet company; during a performance of “The Dying Swan,” she enraptures a painter obsessed with portraying death genuinely.

A tragic miniature. Pavel Yartsev, aided by a footman, robs his mistress Ellen Belogorskaya. But the pearls in the stolen necklace turn out to be fake. The movie is not fully preserved, without inscriptions.

A psychological drama about love and self-sacrifice. Luli Beck, a café singer, has moments of epiphany when, looking around, she clearly realizes the banality and aimlessness of her existence. In one of these moments she meets Witold, a pure and innocent young man. And when a spark of light mutual feeling flares up between them, it turns out that Witold has a fiancée who loves him fervently.

Based on Gogol's story. It is Christmas Eve, and the town witches’ son, a blacksmith, seeks an honest marriage to his love who wishes for a pair of shoes fit for the Tsarina. A mischievous devil is trapped into providing service to the smith.