A. Khanzhonkov and Co.

A dramatization of a wedding in 16th-century Russia, between members of two prominent boyar families (based on paintings by Konstantin Makovskii): Three matchmakers first visit the family of the prospective bride, and then do the same with the prospective bridegroom's family. Later, as the time of the wedding draws near, the bride is dressed with great formality and prepared for the ceremony, as the guests get ready to celebrate the upcoming wedding.

The picture tells the story of Maria, a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment which she resists for a time. In the end, however, she falls into his bourgeois claws.

Five-episode adaptation of the eponymous Russian novel, directed by Pyotr Chardynin et al.

Based on Lermontov's poem of the same name, Boyarin Orsha (Peter Chardynin) leaves the service of Ivan the Terrible.

A female doctor is so busy with her work that she has too little time for her fiancé. He falls in love with a waitress and the two have a child. Though considered by some to be a proto-feminist yarn, the film dwells on the consequences that equal rights for women may generate rather than openly champion suffrage. Similar in to Ibsen's The Doll House in many ways, the film provides mannered, solemn melodrama, ably acted by Mosjoukine and Yureneva.

Made in 1912, this film has become known as one of the greatest pieces of pre-Soviet cinema. The silent film tells the story of the Patriotic war of 1812 when Napoleon attempted to invade Russia. This joint French and Russian film sparked major excitement in Moscow at its premier screening and continues to entertain audiences throughout the world today. The 32-minute silent film was the point of origin for some of the more advanced camera techniques used today. Sirotin of the Voice of Russia said that, “The film is interesting to spectators even today and is frequently shown both in Russia and abroad.”

A tragic story of a ballerina.

Two peasants in feudal Russia wish to marry but tragedy strikes. A grim if familiar depiction of the precarious condition of the rural life.

Lost movie.

A silent feature short film by Vasily Goncharov based on a folk song of the same name. It was filmed with actors from the Vvedensky Folk House troupe. The movie is preserved without inscriptions.

Lost film based on Leo Tolstoy's story from War and Peace novel.

Wealthy Mrs. Khromova has a natural daughter, Musya, and an adopted daughter, Nata. The merchant Zhurov is in love with Nata, and hopes to marry her, but she is non-committal.

Drama of the rivalry between two sisters who love the same man. Lost film.

Based on the novel by Emile Zola. The picture was not released. The movie is not fully preserved.