The Couch Critic Logo
The Couch CriticCouch Critic
TrendingMoviesTV ShowsListsReviewsWhat to Watch
LogoThe Couch Critic

Menu

TrendingMoviesTV ShowsListsReviewsWhat to Watch

© 2026 The Couch Critic

The Couch Critic Logo

The Couch Critic

Your go-to destination for honest movie and TV show reviews from a passionate community of critics. Join the conversation today.

X

Explore

  • Trending
  • Movies
  • TV Shows
  • Reviews
  • Lists
  • Games
  • About Us

Categories

  • Popular Movies
  • Trending Now
  • Upcoming
  • Airing Today
  • Movie Genres
  • TV Genres

Community

  • Guides
  • What to Watch

Legal

  • Privacy Policy
  • Terms of Service
  • Cookie Policy
  • RSS Feed
© 2026 The Couch Critic.•Built by Hayden Thorn
Cookie Settings
The Movie Database

This application uses TMDB and the TMDB APIs but is not endorsed, certified, or otherwise approved by TMDB.

C

Concejo Municipal de Caracas

Movies

Browse 3 movies from Concejo Municipal de Caracas

Filter by media type
Filter by genre
Sort media results
El afinque de Marín poster
Movie

El afinque de Marín (1979) is an iconic Venezuelan documentary directed by Jacobo Penzo that explores the life, culture, and popular music of the Caracas neighborhood of Marín. Far from being merely a film about music, it delves into the social roots and collective identity of the barrio, using rhythm and everyday life as a lens to reveal the bonds, struggles, and shared histories of its inhabitants. Through its intimate portrayal of people, sounds, and spaces, the film becomes a vivid testament to popular culture as a living expression of community and belonging.

El afinque de Marín

Jan 1979

Imagen de Caracas poster
Movie

Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.

Imagen de Caracas

Jun 1967

Yo hablo a Caracas poster
Movie

Yo hablo a Caracas (1978), the first documentary by Carlos Azpúrua, is marked by the luminous presence of the Yekuana shaman Barné Yavarí. This elder from the Amazonian forest articulates two powerful and prophetic warnings: first, a demand for respect toward the sovereignty of Indigenous beliefs and culture; second, a grave denunciation of the threat posed by “criollo” presence and its economically irrational logic to the natural balance of the Amazon. Through Yavarí’s voice, the film contrasts modern exploitation with a millennia-old Indigenous worldview grounded in harmony with nature, turning the documentary into an early and resonant plea for cultural dignity and ecological consciousness.

Yo hablo a Caracas

Jan 1978