The story of a young woman who takes it upon herself to save her brothers and rid them of a curse which they were put under by their mother.

What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.

Tom (4 years old), Suzanne (8) and Derek (10) spend the weekend with their grandparents. But nothing is as usual: Grandpa seems to be elsewhere; Tom wonders where Grandma has gone, she who always tells him incredible stories; Derek is hard at work renovating the old apple tree hut. So following in the footsteps of her ancestor, Suzanne improvises herself as a storyteller to illuminate the house with imaginary and wonderful stories and try to fill the absence of Grandmother. The movie is an adaptation of three tales written by Arnost Goldflam.

A black comedy set in the lives of two university employees. Its boss and opportunist Alexander Pažicky and his brother-in-law and professor, Kristof Mitrovsky. His poetic ambitions and ideals, however, battle with his instinctive nature, which manifests itself especially in his sex life...

Eduard Grečner. Film director, dramaturge, publicist and poet. A talented fi lmmaker with precise artistic goals which, due to circumstances and the times, he was not always able to realise. Refl ections on the ideological and aesthetic starting points he consecutively followed during his creative career, [as well as] on the meaning and mission of art and the principles that art should never abandon. [It is] about reality limiting the freedom of artistic expression, confl icts with power and the consequences that Eduard Grečner – a human being and an artist – decided to face without ever compromising his own views and conscience, because the truth is all there is.

On a cold February morning, 12-year-old Niki and his family arrive at the Kharkiv metro station to take shelter from the terrifying war raging outside. For Niki's family, daylight is synonymous with mortal danger, and the boy is not allowed to leave the station premises, living under the constant glow of their neon lights. While aimlessly wandering around the abandoned cars and full platforms, Niki meets Vika (11), and a new world opens up to him. As their bond strengthens, the children find the courage once again to feel the sun on their faces.

Slovak musicologist Agata Schindlerová, now settled in Dresden, has spent years mapping out the forgotten destinies of Jewish musicians whose lives were irrevocably marked by the advance of nazism. Scenes from the lives of several of them are portrayed in the film In Silence (ballet dancer Alice Flachová, pianist and conductor Karol Ebert, composer, conductor and director of the Dresden Theatre Arthur Chitz, pianist Edith Kraus, and the vocal ensemble Comedian Harmonists), which draws a sharp contrast between the protagonists’ carefree existence working and making music during the pre-war era and the subsequent severe upheaval in their lives brought on by the proliferation of nazism.

Theodora Remundová’s documentary portrait looks at Iva Janžurová’s dramatic and comedic roles in both film and theater, as well as the roles she has played in her family and in social and political life. The director (Janžurová’s daughter) has created a film filled with the truthfulness, sincerity, and capacity for self-reflection of a woman who has devoted her life to acting. The use of clearly staged scenes is combined with an openly acknowledged effort to avoid the kinds of clichés usually found in biographical documentaries to create an organic whole that provides an overview of Janžurová’s pivotal roles while also sharing highly personal and intimate moments from her life. Vít Kořínek (kviff.com)

80-year-old Ali Ungar comes across a book by a former SS officer describing his wartime activities in Slovakia. He realises his parents were executed by him. He sets out to take revenge but finds instead his 70-year-old son, Georg, a retired teacher. Georg, who had avoided his father all his life, decides to find out more about him and offers Ali to be his interpreter.

Three family members - retired neurology chief Professor Hanko, his daughter Eva, and his son-in-law and current neurology chief Martin Boroš - wait anxiously as seven-year-old Monika undergoes emergency surgery after a hit-and-run. Though united by fear for Monika’s life, marital strife, generational conflicts, and long-held resentments strain their interactions.

The devil's magic quill keeps a tight record of sins. But when this precious artifact is stolen, a demon must find a way to make things right again.

A small border town in the south of Slovakia is surprised by the sudden arrival of respected builder Mr. Hampl and his young wife Nada. She catches the eye of an equally young local teacher, Daniel, who is still recovering from his military experience in The Second World War. At first, Nada tries to resist Daniel's charm but her decision is complicated by the scent of flowering agave in the hot summer air. When the agave after 30 years of sleep finally blooms, Nada's primary decision not to give in is permanently void... A simple love story on the surface opens into to a deep, psychological study set in the hot summer of 1947. The Second World War has just ended and the Communist coup is waiting in the wings to wipe nearly a whole generation of Slovak intelligentsia from the history.

A story that takes place during Advent, we'll meet again with your favorite pair angel Petronel and devil Urias. Their eternal wrangling causes the rare apple from the tree of the knowledge to roll on earth. And that God is really angry. Petronel with Urias find themselves in a small Czech town on the eve of the feast of St. Nicholas. And after a series of human and "divine" tests our heroes eventually find that the path to knowledge leads primarily through self discovery through the strength of friendship, love and forgiveness skills.

In love with a girl that smells of oranges while in a complicated relationship with his father, Darek is gentle, strong and devoted to his little sister and their herd of horses. Darek's world is a story about the joy and pain of growing up in the isolated yet beautiful Lusatian Mountains. Here, horses are not expensive specimens of racing stables but beings you should care for and love. Not even that is enough in life though, as Darek finds out nearing the Summer's end, closing his childhood definitely. However, just like any ending, this is a start of something new.

What was supposed to be a joyful celebration over the dissolution of Czechoslovakia turns chaotic when the Varchal family discovers that their father betrayed both country and family by working for the secret police. The family members turn against each other.

The Queen of the Waterland gives the King Juraj access to the water of life when his daughter is seriously ill. However, if the magic fluid falls into the wrong hands, it loses its power.