Amiga Pictures

In a small fishing community on the outskirts of Cape Town, Gabriel discovers a dead body and two bags of valuable abalone. His brother, Michail, convinces him they must take it for themselves. But when a corrupt government worker pursues them, they embark on a journey into the mountains and are driven to the ends of the Cape of Good Hope for the survival of their relationship and their lives.

Maria and her father, David, search for an exorcism to rid him of the demons he believes followed him back from the war. David, haunted by his past, kidnaps Maria from her mother, Veronica, who faces her inner battles.

A regurgitation of years of television suffered and re-proposed in the dreamlike and contracted form of a video computer that was the first to be able to emit a digestible return signal from a television. The first response on the same rhythms and themes as television. Primordial consumer technology as a creative basis for a video work on the border between painting and animation. United with the video hiss of AMIGA pixels, with the overflow of its other color frequencies, the hold of the PAL, on the border of VHS. A narrative construction that tells in a non-linear way. Since 1995 a prelude to contemporary visuals.