Departamento de Cine de la Universidad de Los Andes

A young girl is sent to a Venezuelan hacienda, where she learns about the life of her reclusive aunt, Oriana.

Los Nevados is the first peasant feature film from Venezuela. The magical poetry about humans who endure an almost animal, almost instinctive, almost sad existence, which turns into a complaint.

Exiled Chilean director Patricio Guzmán filmed in Cuba and in Venezuela to create this controversial statement on the creation and survival of Latin American culture from the late-15th century to the present. For some viewers, the film will be superficially symbolic and rhetorical, for others, it will be a strong and personal vision of several centuries of history.

During the dictatorial regime of Juan Vicente Gómez, the bachelor Ibarra is imprisoned for political conspiracy. In prison, the inmates live together remembering the events that led to their imprisonment. Finally, a group, led by the bachelor Ibarra, manages to carry out a plan to escape from the prison.

In 1969, a wave of discontent swept through Latin American universities. In Venezuela, students set out to fundamentally renew the concept and criteria of teaching. This is their story.

In a far forgotten village there are great expectations for the arrival of some important government authorities.

Diamantes, short produced by the ULA, registered the birth of a new town: San Salvador de Paul, the arrival of new residents, farmers who ventured in search of riches, merchants, gamblers, prostitutes, all trying to snatch the momentary wealth of those who discovered the mineral, typical image of underdevelopment.

Based on the thesis of Alejandro Rivero and Ernesto Pacheco, this documentary attempts to glimpse, through the senses, the fourth mathematical dimension.

An analysis of the history of television in Venezuela, subjected to economic power and market interests. The film explores the messages that television reproduces through its "anchors" and the much-criticised soap operas.

This low-budget avant garde feature uses no dialogue in telling the story of the reaction of the Spanish court after the initial exploration of America. A botanist revels in his collection of new plants. A native is baptized in a church ceremony, and nuns and court jesters appear throughout this rambling feature.

Feature film by Armando Arce.

A politically charged film, where a series of archetypal characters are presented.

El afinque de Marín (1979) is an iconic Venezuelan documentary directed by Jacobo Penzo that explores the life, culture, and popular music of the Caracas neighborhood of Marín. Far from being merely a film about music, it delves into the social roots and collective identity of the barrio, using rhythm and everyday life as a lens to reveal the bonds, struggles, and shared histories of its inhabitants. Through its intimate portrayal of people, sounds, and spaces, the film becomes a vivid testament to popular culture as a living expression of community and belonging.

This documentary is comprised of three shorts: 'El Afinque de Marín' that follows the musicians of the group Madera. 'Yo hablo a Caracas' about an indigenous leader and his reply to the authorities of the venezuelan goverment regarding the violations towards his people and finally 'Mayami Nuestro' chronicles the relationship of venezuelans during the eighties with the city of Miami.

A young peasant farmer has a feud with a heartless landowner which results in the landowner killing the peasant's cattle which result in the peasant killing the landowner which for the man goes in to hiding for more than 40 years, hounded by the murdered landowner's son obsessed with finding his father's killer.

Trans is a 1982 Venezuelan documentary short film that offers an intimate look into the lives of a group of trans women and drag performers in Caracas, exploring their experiences in a society marked by transphobia and homophobia. Through interviews and performances, the documentary highlights the resilience and dignity of these women in the face of widespread discrimination and violence. Premiering at the Venezuelan National Cinematheque in 1982, Trans is considered a pioneering work in the representation of the trans community in Latin American cinema.

Based on the novel by Venezuelan writer Enrique Bernardo Núñez, the film tells the story of engineer Leiziaga discovering his historical doubles in the context of the colonization of the island of Cubagua in Venezuela. In this way, two stories are intertwined: one that takes place in the 16th century and another in the 20th century. The first story focuses on the life of the Spanish settlers who arrived in Cubagua and the exploitation of the indigenous peoples for pearl extraction; the second story, set in the 1920s, tells of Leiziaga's archaeological expedition, financed by a multinational oil company, in which he visits the island to study the ruins of the Spanish settlement, which leads him to reflect on the passage of time and the destruction caused by human exploitation, and through a game of mirrors, to realize the relationships between the past, present and future.

A documentary about the building of a damn near Caño Mánamo and the effects it has on the environment.

In this short film, made on the occasion of a visit by Maurice Hasson to Mérida to perform in concert, he evokes in a warm conversation his indelible memories and deeply human experiences of his life in Mérida.