Departamento de Cine de la Universidad de Los Andes

A young girl is sent to a Venezuelan hacienda, where she learns about the life of her reclusive aunt, Oriana.

This low-budget avant garde feature uses no dialogue in telling the story of the reaction of the Spanish court after the initial exploration of America. A botanist revels in his collection of new plants. A native is baptized in a church ceremony, and nuns and court jesters appear throughout this rambling feature.

Exiled Chilean director Patricio Guzmán filmed in Cuba and in Venezuela to create this controversial statement on the creation and survival of Latin American culture from the late-15th century to the present. For some viewers, the film will be superficially symbolic and rhetorical, for others, it will be a strong and personal vision of several centuries of history.

Based on the novel by Venezuelan writer Enrique Bernardo Núñez, the film tells the story of engineer Leiziaga discovering his historical doubles in the context of the colonization of the island of Cubagua in Venezuela. In this way, two stories are intertwined: one that takes place in the 16th century and another in the 20th century. The first story focuses on the life of the Spanish settlers who arrived in Cubagua and the exploitation of the indigenous peoples for pearl extraction; the second story, set in the 1920s, tells of Leiziaga's archaeological expedition, financed by a multinational oil company, in which he visits the island to study the ruins of the Spanish settlement, which leads him to reflect on the passage of time and the destruction caused by human exploitation, and through a game of mirrors, to realize the relationships between the past, present and future.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

Based on the thesis of Alejandro Rivero and Ernesto Pacheco, this documentary attempts to glimpse, through the senses, the fourth mathematical dimension.

A documentary about the building of a damn near Caño Mánamo and the effects it has on the environment.

A motion picture of the economic and social situation in current Venezuela, through three characters affected one way or another by dependency and neocolonialism.

A musical documentary on Ignacio "Indio" Figueredo the greatest popular harp player and composer from the Venezuelan plains.

A young peasant farmer has a feud with a heartless landowner which results in the landowner killing the peasant's cattle which result in the peasant killing the landowner which for the man goes in to hiding for more than 40 years, hounded by the murdered landowner's son obsessed with finding his father's killer.

Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a black man. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.

A politically charged film, where a series of archetypal characters are presented.

In 1969, a wave of discontent swept through Latin American universities. In Venezuela, students set out to fundamentally renew the concept and criteria of teaching. This is their story.

Documentary about the struggles of the people of El Sitio del Anís, in the Venezuelan Andes.

Trans is a 1982 Venezuelan documentary short film that offers an intimate look into the lives of a group of trans women and drag performers in Caracas, exploring their experiences in a society marked by transphobia and homophobia. Through interviews and performances, the documentary highlights the resilience and dignity of these women in the face of widespread discrimination and violence. Premiering at the Venezuelan National Cinematheque in 1982, Trans is considered a pioneering work in the representation of the trans community in Latin American cinema.

In Simón Bolívar, ese soy yo, Venezuelan filmmaker Edmundo Aray begins his cinematic cycle devoted to Latin America’s independence heroes with a poetic and symbolic animated film that reimagines the life and myth of Simón Bolívar.

During the dictatorial regime of Juan Vicente Gómez, the bachelor Ibarra is imprisoned for political conspiracy. In prison, the inmates live together remembering the events that led to their imprisonment. Finally, a group, led by the bachelor Ibarra, manages to carry out a plan to escape from the prison.

A film by Michael New.

Los Nevados is the first peasant feature film from Venezuela. The magical poetry about humans who endure an almost animal, almost instinctive, almost sad existence, which turns into a complaint.