Arjang, A 50-year old man, has loved Roya from his childhood years but he has failed to marry her due to some reasons. Roya migrates to the united states with her family due to some social restrictions of 1980s. Arjang who has never forgotten Roya, meets her different times later but each time he fails to marry her again. He has 50 now and is a wealthy man, so he insists Roya to stay in Iran and marry him.

Sarah is an architect who tries to figure out the best way to treat her boss.

A serial killer is going around killing Iran's most beloved filmmakers. Hasan, a blacklisted filmmaker himself, is depressed and wonders: why isn't he being targeted?

The film progresses along two distinct but interwoven series of events. The first series involves young members of a family who have gathered round their old mother and revive their common childhood memories. the second line focuses on the old woman's preparations for her last journey and her joyous cooperation in arranging for the ceremonies that are to be observed after her death.

The story of four soldiers who on a Friday go to the city with their commander. But this Friday is different and brings many troubles for them which changes them forever.

A haughty acclaimed newly married fashion designer named Iraj is shown the door by his boss after the boss's son arrives at Iran to take over his father's company. Iraj reluctant to promulgate the loss of his job, starts using his savings, trying to conceal the truth from his naive wife. Having squandered all the money he had on trivial matters, he tells his wife about being axed & that's when the tables turn on him.

A young couple try to fix their marriage troubles with the help of a psychiatrist.

Mohsen (Reza Attaran) returns home after shopping and realizes that the furniture on which Omid (Amir Jafari) is sitting is perforated and blames Omid. Mahshid (Rima Raminfar), Mohsen’s wife, is very interested in this sofa and she Mohsen and Omid are making every effort to solve this problem, but…

A tension building thriller at every turn, Dar Emtedad Shahr opens with the begins of a jewellery store robbery, and then goes back in time to explore the events leading up to it. In doing so, the major players are introduced: the pair of robbers themselves, the jewellery store owner, his ill wife and doctor mistress and a disenfranchised celebrity. When the robbery goes wrong and the jewellery store owner is shot, all stories begin to collide as a hostage situation escalates. Who exactly will survive? And what will be left of those who do?

Two fellows find themselves in prison for thieving but it is actually their fortune because an old man before dying gives them a treasure map so after their release they try to find it but there are some problems.

A six-year-old girl (Maryam) who has lost her family in the war, is living in an orphanage. She likes a woman called Fereshteh who lives in a house in front of the orphanage. A family (Nasrin and her husband) adopts her and takes her to the north of Iran. Maryam tries to write to Fereshteh and in a proper situation escapes home to reach her.

Death surrounds Bahman, a director who hasn't made a film in 24 years (he can't get past the censors). He's working on a documentary, for Japanese TV, on Iranian burial practices. On the anniversary of his wife's death, a hitchhiker tells him a story of spousal abuse and infant mortality, he discovers that someone has been buried in his plot next to his wife, and he needs the help of his attorney, a well-connected fixer. He dreams of death, even as he investigates it for his film. His niece's husband, a well-known writer, fails to return home; he searches hospitals for an unclaimed body. His heart disease is flaring up. Is he prepared for death? Is that all that's left?

According to the police, Negar's father committed suicide. Having had a happy life, Negar suspects that his death has not happened the way it seems. She starts unfolding the truth through an unconventional investigation.

When the corrupted groom starts shooting in the wedding ceremony, guests try to run away. Aida and Davoud accidentally end up in a car that crashes a police car. Aida lies to the inspector that Davoud is her husband and that's where the story begins.

A comedy of the tragic life of someone who must live like the people around him despite his own preference. The Human Comedy is a comedy narrative of the tragic life of a person who finds himself doing as the Romans do unwillingly.

A mother, hard of hearing, has separated from her deaf husband because of their disagreement over their son’s cochlear implant surgery that can enable the little kid to hear. But the father tries to prevent the surgery because he wants his son to remain deaf like him.

A middle aged man and his wife who are living in a village and their kids are now married have an unexpected baby. This put them in an embarrassment and rumors of people of the village.

A couple (Golzar & Afshar) who have been bickering & fighting from day one, are contemplating divorce until by chance they both end up visiting a therapist (Pesiani) who dishes them the secrets of a good relationship. Various episodes from the couple's married life are represented as flashbacks in a lighthearted manner.

After finding out that her ex-fiancé has married her best-friend, Bita starts plotting a revenge against them.

Couples after twelve years of life have now come to some sort of homogeneity in life.