Fomento al Cine Mexicano (FOCINE)

A horror story that intertwines four tales on a fishing island in Lake Pátzcuaro, Michoacán, where an evil lake spirit haunts the inhabitants, casting a dark shadow over their lives.

During the summer, thirteen-year-old Sofia moves to the country house, where her cousin Cristina is waiting for her to spend the vacations. During these days of games and discoveries, the two will be immersed in a love triangle with a man almost twenty years older. Its outcome will mark the passage from puberty to adolescence for both of them.

In the almost deserted town of La Raya, a mysterious refrigerator appears out of nowhere. Sotera Santos and her friend Eric see an opportunity to make a fortune by selling it. However, the fridge soon starts unveiling strange and enigmatic phenomena to those who approach it. As Sotera grapples with these unsettling occurrences, she must also face the painful reality that her mother might not return to take her to the United States, and that perhaps her departure from La Raya is not yet meant to be.

Letters from a distance documents a communication exercise thought out by healthcare workers from a public hospital in Mexico City to help with the distance between COVID-19 patients and their family members through letters, that eventually turn into video messages or photographs during the peak of the pandemic giving people hope and certainty. It is also a voyage through the lives of mexican families who faced the most painful pandemic, due to their social, economic and political contexts while being moved by hope and love.

Few know José Ignacio Solórzano—a balding man with everyday troubles like money and marriage. But everyone knows Jis, the beloved cartoonist whose humor and art have left a mark on the country. Mollusk tells the story of both, exploring how creativity and laughter can help overcome life’s challenges.

The teacher of this second grade classroom, Celeste, has been transferred to another school and has a few days to spend with the elementary school students who started with her. Together they live the month of September, full of movement, changes in direction and revelations, in the endearing intimacy of a classroom in a small town in Jalisco, Mexico.

40 years ago in Mexico, a group of women filmmakers gathered to make films dealing with taboo subjects, gender violence, rape, feminicide, clandestine abortion, labor discrimination. They called themselves “Cine Mujer” and were active as a collective for over 10 years. Today they reflect on violence against women and their continuous struggles, which are still prevalent in modern society.

In this deeply moving dialogue between mother and son, Mexican Tzotzil director Xun Sero confronts his past with honesty, understanding and forgiveness. Growing up without a father, he blamed his mother for the paternal absence in his life; this, for him, became his first act of violence against the feminine and his own mother. Societal pressure and shame prevented his mother from speaking about the realities of violence in her childhood and within her partnership with the director's father. Guided by the desire to understand who his mother is, Sero has created an extraordinarily sensitive first film where both mother and son open a dialogue in an attempt at self-discovery. Bravely, together, they open the door to a room of darkness and unknowns and begin to walk down a path of healing.