Master shoemaker Franz Anecker is raging with jealousy because he has long had a feeling that Mayor Wedekamp has his eye on his wife Lene. Old journeyman Matten believes the same, and since he loves beer and corn, he likes to keep a watchful eye on the goings-on in the house over a well-filled glass. As Matten cannot observe everything, he fails to notice that the master's young sister is particularly pleased by Wedekamp's visits.

Sculptor Max Kolbe has rented a room with the Käselau family as a "furnished gentleman" to escape his love-struck bride and to work in peace for an exhibition. But he is not safe from anything in this tenement: the women's lives seem to be dominated by gossip, curiosity and envy. But the men are no better! Kolbe's false name and his actions arouse the strongest suspicions in the house: why doesn't he go to work? Is he doing shady business? What are the young ladies looking for with him?

Frugality can be a virtue, but for Schneider Nörig this virtue seems to have turned into avarice. For him, pancakes with two kinds of jam are a reprehensible luxury. He prefers to put the money aside, or rather put it in his piggy bank. It is therefore not surprising that Schneider Nörig has to prevent the marriage of his youngest daughter to an almost penniless craftsman. Neighbor Krup seems to be a promising candidate and a good match in his eyes. Money could come into the family if Nörig were to marry Krup's sister...

A comedy directed by Hans Timmermann and Sigmar Börner.

Baker Heinrich Hintzpeter rules his family and bakery with stubborn certainty, silencing everyone’s voice. His mother Dora and daughter Gisela wrestle with the fallout - between ex-wife Selma’s return and Gisela’s suitors - while Heinrich’s refusal to listen prolongs the mess until he finally learns to hear others.

In the sailors' pub "Die Königin von Honolulu" in Hamburg's St. Pauli district in 1910, the sailors are sitting grumpily and pestering their wages master, Krischon Honolulu, to finally get them a ship, as their coffers are at low tide. Then the sailor Scharli appears and reports that an American luxury yacht has arrived, owned by the millionaire William Thomson, a "madman" and misogynist who throws his money around. Eight sailors are wanted for a voyage around the world, including to Honolulu.

The cozy harbor pub "Störtebeker" is run by the ship's cook Karl Brammer together with his wife Mary. One day Karl is caught in a small smuggling operation and is sent to prison for three months. Mary prefers to conceal the truth and tells him that her husband is back at sea. But then fate strikes: the supposed ship goes down with man and mouse and everyone who believes they can inherit something from Karl storms Mary's house. With so much "sympathy" from the grieving relatives, the man believed to be dead has to put things in order himself.

The village tailor Witt has been burgled, and he himself has received a nasty blow to the head! The seriousness of the crime means that the gendarme in charge does not investigate the case alone - the new head of the district is eager to take over. The head of the parish, Kreyenborg, slyly supports the criminal investigation by getting help from his servant Willem, a man of "plietscher Dröhnbüdeligkeit (a charmingly clever annoyance)". The young vet Renken is also happy to help him, which his daughter Lena warmly welcomes. After confusing statements from Trina, the tailor's wife, the question arises: is there something to cover up?

Young Alfred urgently needs financial support for his household goods business. His eccentric uncle Phillip will only provide the necessary change if he manages to smuggle him into an insane asylum so that he can impress his friends with hair-raising stories. Alfred is overwhelmed, but his friend Kissling has the idea that saves the day: they pass the "Pension Schöller" off as a mental asylum and smuggle in the unsuspecting Uncle Phillip. From then on, he thinks all the guests are mentally ill...

The Bodendieks' pension is not enough for them. So the couple decide to rent it out. What they hadn't planned, however, was that they let out the good room twice - he to the young Lisa, she to Klaus, who is almost the same age. As business-minded as the Bodendieks have become, they believe they have double the income when they realize that Klaus works nights. But things only get tricky when Klaus is in bed during the day and Lisa's boss comes to visit...