Suncent CinemaWorks

In rural Japan, the survivors of a tragedy converge and attempt to overcome their damaged selves, all while a serial killer is on the loose.

A young teen's father dies, and he is sent to an orphanage. He's teased because he stutters almost runs away, until a beautiful, androgynous boy, Yasuo, convinces him to join the choir.

A violent, guitar-playing, electrically charged boxer faces off against an electronic wizard half-merged with a metallic Buddha.

Benkei, a master fighter and killer, vows never to take another life after his conversion to Buddhism. His faith in pacifism, however, is shaken and ultimately broken by the attacks from a trio of fighters known only as the demons. Taking up his sword once more, he sets out to end their murderous terror.

Emotionally withdrawn strip club dancer Ayako has never recovered from her mother's suicide when she was young. She begins a relationship with patient potter Daiji, but leaves him behind when she quits her job and returns to her home town after a 10 year absence.

It is 1980. Sadatomo is at a secondary school in a small town. His parents barely take any notice of him. The strict teacher Kobayashi has hung up a 'humanity index' in the classroom, divided into the categories 'delinquents', 'scum' and 'people'. In each category he has hung name-cards of pupils. One day Kobayashi finds out that Sadatomo and his friends have stolen some things from a shop for fun. Their fathers are informed and as punishment, the children have to write a 'self-critical' essay of no less than thirty pages. For the first time, Sadatomo is beaten by his father. Shocked, he writes a piece entitled 'I am an onion', in which the teacher thinks he can detect a first sign of humanity. That is the start of a confusing situation in which it gets hard to distinguish lies, truth, justified self-criticism and opportunist wheeler dealing, even for the boys.

An autobiographical docudrama about an attempt to remake Alain Resnais' 1959 film "Hiroshima Mon Amour".

Tetsuro is living with his young girlfriend Aki in a pleasant house in Tokyo. They both spend a lot of time at their jobs. However their routine is upset when Tetsuro brings his 8-year-old son Shun to live with them, while his ex-wife recovers from a car accident.

A photographer and a filmmaker challenge each other to shoot—one to photograph the other to film—two young actresses, one from Tokyo, the other from the countryside. The photographer seeks naturalism in his compositions, and Kawase observes and comments on his work. The competition between the photographer, the filmmaker, and the actresses creates a charged atmosphere.