Polyphon

An ex-felon returns home from prison and must confront the demons of his past.

Robert Ross (Brent Carver) lives a protected adolescence in a well-off Toronto suburb. Secretive and withdrawn, he shares his thoughts only with his sister Rowena (Anne-Marie MacDonald) who is mentally disabled. He feels compassion for his weak and conventional father. He avoids any confrontation with his mother (Martha Henry), a dominating woman whose despondency at having given birth to a handicapped child has turned to bitterness. Rowena occupies a central position in Robert's existence of daydreams and make-believe. When she dies, Robert clashes openly with his family, and decides to take himself in hand. It's 1914. He enrolls in the Canadian army, and, after training in Alberta and Montreal, he finds himself in England and France. The war becomes another way for him to resolve his conflicts, his dramas, his passions--his wars.

The Swedish 19th century engineer Salomon August Andrée sets out to become the first man on the north pole. His idea is to launch a polar expedition using a hydrogen balloon, together with two friends. The balloon, "The Eagle", takes off from Svalbard in 1897, but the three men are never heard from again.

Grumpy baker Grabosch can't bear the thought that his granddaughter, now that her mother has died, will live with her Polish father. He must get Mathilda back, by all means.

After 15 years of marriage, housewife and mother Susanne Müller finds out that her husband Johannes doesn't earn his living as a computer chip salesman, but works as an agent for SKD, Sonderkommando Deutschland. Without thinking twice, she decides to free her husband from the clutches of an egomaniacal double agent who wants to take over the world with a lost secret weapon from the Third Reich. However, before the couple can save the world, they first have to repair their relationship. Shots are fired with lipsticks, UFOs and well-dosed punchlines...

Wolfgang Amadeus Mozart's Magic Flute is undoubtedly one of the most multi-layered, profound, complicated, and therefore also most difficult to stage works in the entire opera repertoire. In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.

Bob, a sympathetic young man, keeps telling women what they want to hear to have a good time. Just as he is about to marry the daughter of a very wealthy banker, her father does a little research on his future son-in-law and finds out the truth about Bob. He forces Bob to marry his daughter and behave like the perfect husband, or else... Unfortunately, Bob meets "The One" just a few days before the wedding and had also told her what she wanted to hear, all of this unbeknownst to his future wife. Then right as he's trying to extricate himself from those dilemmas, two very protective Turkish brothers of one of his past affairs are after him to take revenge for taking her virginity!

In the middle of Maike's sister Inka's wedding preparations, the marital dispute between Sören and Maike is still simmering because she has been cheating. Maike suggests that Sören should have a fling himself so that peace can finally be restored. With whomever! But Sören ends up in bed with Maike's best friend Doris, of all people. Dirk, Doris' husband, is not the only one fuming with rage and wants to give Sören a thrashing. Maike in particular reproaches Sören: the offer was never meant to be like that! And in the midst of all the chaos, Inka decides to throw the stuffy wedding, which groom Nils only wants to go ahead with for the sake of his conservative mother Renate. So: no wedding and three break-ups?

Ulf, Eva and Renate, all in their seventies, are partying hard during a camping trip in Poland. The next day, Ulf, confused and distraught, is found by hunters at the edge of the forest. He believes he has killed someone.

Inspector Rolf Spiekermann is committed and successful, but has many enemies in Hamburg's underworld and little time for his family. That's why his wife Elke and the children are looking forward to vacationing together in Amrum. Arriving on the idyllic island, Rolf falls victim to a treacherous attack. With the help of the young hitchhiker Olaf, he gets off lightly. Rolf feels at the mercy of an invisible opponent. Because the local police only investigates half-heartedly, he tries to find the perpetrators himself. But inspector Spiekermann has found that all his professional skills cannot help him.

The police station in Monreal is about to be closed down because there are too few crimes. So it's just as well that a body is found. But it disappears again and another body turns up. Police Sergeant Katie's aunt is under serious suspicion. Then evidence disappears and her colleague Killmer has his hands full trying to keep track of the case and protect Katie.

Julia Whitman and her daughter Jody flee their husband and father’s violence to a doomsday paradise. Julia meets Matthey Haley in New Zealand and falls in love despite her inner resistance. However, the shadows of the past will not let you forget. Julia's ex-husband, Charles, who follows in the footsteps of his wife and daughter, shows up on the island.

Pit is in his early 20s and meets the attractive singer Caro. He wants to impress her but lacks the resources. He comes up with the idea to saw off the roof of his car and turn it into a snappy convertible.

Psychologist Kara Bischoff and LKA Commissioner Sibylle Deininger, once a couple, are reunited by a brutal murder case.

After Dr. Patricia Engel experienced a treatment error with a fatal outcome that was also covered up, she gave up her promising career as a doctor and became a lawyer. When she once again comes across a medical error in the clinic of her father, heart specialist Professor Brenner, of all people, she tries everything she can to save the patient. But the surgeon turns against her and sics a lawyer on his daughter.

During the last therapy session for a couple seeking a divorce, the therapist dies in a freak accident. Now Tom and Nina have to get together one last time to get rid of the corpse.