Pivonka

A hill in Kyrgyzstan inhabited by men, women, some children. Smoke, birds, a waste dump like a Leviathan. Among them, a traumatized former soldier, a grieving mother, young people deprived of a future, living and facing their destiny.

Through desktop documentary and forensics, this work explores how images of Medusa of Hatra, ISIS propaganda, and digital archives influence reality and memory while examining violence and witness.