ECAMC

Young Valentina uses all her might to believe that her deceased father is still alive.

In the almost deserted town of La Raya, a mysterious refrigerator appears out of nowhere. Sotera Santos and her friend Eric see an opportunity to make a fortune by selling it. However, the fridge soon starts unveiling strange and enigmatic phenomena to those who approach it. As Sotera grapples with these unsettling occurrences, she must also face the painful reality that her mother might not return to take her to the United States, and that perhaps her departure from La Raya is not yet meant to be.

Elvis Guerra defies conventional notions of muxes by expressing their true self through rebellious poems, challenging stereotypes and reclaiming their identity.

In this deeply moving dialogue between mother and son, Mexican Tzotzil director Xun Sero confronts his past with honesty, understanding and forgiveness. Growing up without a father, he blamed his mother for the paternal absence in his life; this, for him, became his first act of violence against the feminine and his own mother. Societal pressure and shame prevented his mother from speaking about the realities of violence in her childhood and within her partnership with the director's father. Guided by the desire to understand who his mother is, Sero has created an extraordinarily sensitive first film where both mother and son open a dialogue in an attempt at self-discovery. Bravely, together, they open the door to a room of darkness and unknowns and begin to walk down a path of healing.

Yuli (38) is the Topila (auxiliary police) of San Pablo Begu', a mountain community in Oaxaca where the inhabitants assume the responsibilities of self-government on a rotating basis on an honorary basis (Comunalidad) at the same time as they carry out their work and personal activities. At the entrance to the town, they hold back a group of machinery that is trying to move into the community to begin construction of a four-lane highway. No one in authority is aware of this and the community is on alert. San Pablo Begú will have to decide whether or not to accept the road project.

By weaving together the stories of three women who share a common fight within the Zapatista movement and their work in coffee production, this narrative explores deeper issues like land ownership, family dynamics, and the layers of intersectional violence they face. Through their experiences, the film sheds light on the broader social, political, and economic challenges in their communities.

Boca Vieja, where my maternal roots lie, is a quaint fishing and farming village in southern Mexico. Here, people live in harmony with the land and sea, but each rainy season forces them to retreat, letting nature reclaim its space. This cycle persists as the village faces the constant threat of losing their land.

In the midst of countless social incidents and deep internal battles, Juliana, an Otomi farmer, obtains one of the best harvests of her life: the triumph of her will.