Krátký film Praha

A darkly brilliant stop-motion adaptation of The Pied Piper of Hamelin about a plague of rats that punish townsfolk corrupt with greed. One of the most ambitious Czech animation projects of the 1980s, notable for its unusual dark art direction, innovative animation techniques and use of a fictitious language.

A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.

From the behavior, discourse, and appearance of individual actors, Vachek composes, in the form of a mosaic, a broad and many-layered film-argument about Czechoslovak democracy in the period of its rebirth, all administered with the director’s ini­mitable point of view.

René has been in prison since he was 16. He is sick of life and doesn’t care about his parents (just as René’s parents never cared about him when he was a child); he doesn’t even know how many more children they had. After the general amnesty, René just hangs around, not satisfied in any job, and with his younger brother he starts stealing. In no time he is back in prison, this time joined by his brother who is still a youth. History repeats itself and René’s life philosophy seems to be confirmed: You enjoy your freedom for a while, then go to prison and the same thing happens all over again.

Alfons is invited by his brother-in-law to his niece's wedding. The uncle arrives in his luxury car. However, the wedding guests ignore his anxious worries about the car and send him here for beer, there for cement. The uncle objects, but the energetic bridesmaid acts. The car suffers, and so does the uncle. When the wedding guests finally decide to go to the town hall, the car is almost impassable. However, the confusion is far from over...

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

This post-war film from the series Czechoslovak Film Chronicle shows the role of national committees in shaping the new face of the republic. Using the town of Úpice as an example, we follow their steps from managing transport and educating young people, to organizing the expulsion of Germans. The film is supplemented by archive footage, and commentary by radio announcer Stanislav Kozák.

A young boy named Max who, after dressing in his wolf costume, wreaks such havoc through his household that he is sent to bed without his supper. Max's bedroom undergoes a mysterious transformation into a jungle environment, and he winds up sailing to an island inhabited by malicious beasts known as the "Wild Things." After successfully intimidating the creatures, Max is hailed as the king of the Wild Things and enjoys a playful romp with his subjects. However, he starts to feel lonely and decides to return home, to the Wild Things' dismay. Upon returning to his bedroom, Max discovers a hot supper waiting for him.

Alfons Karásek has an important task ahead of him – to introduce his young protégé, who is still very inexperienced in this field, to the art of seducing girls. The opportunity arises on a hunting trip…

In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.

Film about archaeological research on settlements of the Czech lands by Slavic peoples. It focuses on individual stages of the research carried out in the localities of Dolní Věstonice, Staré Město u Uherského Hradiště, Staré Zámky u Líšně, Levý Hradec, and Libušín u Kladna. It presents the individual results in a manner that is almost educational in nature.