Vertigo

Carinthia, southern Austria, 1942. Mila and her brother Hanzi, who are Slovenian, join the armed resistance to German occupation. Mila becomes a commander of a partisan group at the age of 20 and soon finds herself making decisions about life and death.

At the beginning of the World War I, Filip, a Serbian school director in the Serbian province, has been asked to immediately go to Belgrade to get war schedule. His wife Lea, Slovene, with no one to leave because the two of them recently arrived in the small town and no one really knows them. Azem, an Albanian, school attendance, gives Filip a promise (Besa) to watch the Lea and that nothing will happen. Lea and Azem, are forced to live together in an abandoned school. Their relationship changes during the time.

While her middle class, socialist family is falling apart around her, Berina, a young artist, tries to cope both with her awakening sexuality and her mother Jasna's imminent death. Her father cannot accept the fact that life is already happening without his wife. Her younger sister Luna cannot or does not want to grow up. For everybody's sake, Berina wants to save her mother's life and her family the only way she can - through art, and through magic.

After losing their livelihood in a village, a Kosovar family is forced to move to the capital in pursuit of a place in a hypercapitalist society.

A widow grieves, discovers her deceased spouse's secret, and builds a relationship with a talented boy who used to play the violin with her husband in a local bar.

OHO is considered one of the most interesting, complex and important examples of post-war avant-garde art in Central and Eastern Europe. After achieving major success as one of the first from Eastern Europe to exhibit at New York's MoMA, the group disbanded in 1971. OHO was not just an art collective but a unique cultural phenomenon that explored the visible and the immaterial through art, philosophy, sociology, science and coexistence with the earth and nature. Already in the 1960s, the group was raising relevant questions about anthropocentrism, ecology and the economics of the art. This documentary about OHO by Damjan Kozole is rich in never-before-seen archival material and, for the first time, comprehensively presents this inspiring phenomenon of intertwining art and life. - Slovenian Film Database

Guti and Sig wake up naked and handcuffed to one another on a riverbank near Ljubljana. Sig suffers from memory loss, after a fight with skinheads that Guti tried peacefully to intervene. Sig has no passport or any clue about his identity, the skinheads have taken everything he owned. Guti is trying to build a new home for himself and introduces Sig to his friends, a group of suburban misfits, who remind Sig of a legend of the hidden people.

Two brothers are torn apart after finding out they will inherit few millions from their father.

In southern Carinthia, about ninety percent of all inhabitants spoke Slovenian before 1910. Today it is on average a single digit percentage. In this very personal essay documentary, Andrina Mračnikar formulates a political urgency: What happens when one's mother tongue is taken away in everyday life. What must politicians do to counteract the disappearance of a language whose protection is enshrined in the Austrian constitution.

Nikola’s children are taken away from him after social services decide that he is too poor to provide them with a decent living environment. He sets off on foot to lodge a complaint in Belgrade.

Ulay is a conceptual artist whose photography pushed boundaries, and whose love affair with Marina Abramovic produced some of the best pieces of performance art. Diagnosed with cancer shortly after agreeing to film the documentary, Ulay's illness informs Project Cancer, which is part-retrospective, part-visual document of the year he believed could be the last of his extraordinary life.

Two sisters separated by a border, a club with opaque rules, a son torn between revolt and submission. The film explores the violence of power and the ambiguous ties that unite and tear people apart, in a tale that is both sensual and unrelenting.

Asja, a 45-year-old single woman living in Sarajevo, meets Zoran, a 46-year-old banker, at a dating event. Zoran is not there looking for love though, but for forgiveness. During the war in 1993 he was shooting at the city from the opposite side, and he wants to meet his first victim. Now, they both have to relive the pain in their search for forgiveness.

A Macedonian woman throws herself into a traditionally men-only ceremony, kicking up a ruckus and standing her ground.

Ivana, a succsesful, albeit heavily traumatized and psychologycally damaged reporter, decides to take her husband Zoran and ten year old son David on a vacation to the Adriatic coast. However, after Ivana snaps and physically assaults her son, cracks in her and Zoran's relationship begin to show.

A chaotic 24 hours in the life of Lila and her young family as they spiral deeper into precariousness while struggling to break free.

In this intelligent mix of Sofia Coppola’s “Lost in Translation” and Christopher Nolan’s “Memento”, the protagonist Rok loses his memory and is seemingly turning into a better man. Or will his ultra-radical past take over his personality again?

This film is a homage to the life, career and fears of Slovenian actor Peter Musevski. He was always Pero for me, not Peter.

Špela graduated in Art History and has never had a steady job. Unlike her two best friends, who have moved out of Slovenia years ago with no plans to return, she is determined to stay in Ljubljana. When even her longtime boyfriend gets a job abroad she moves back in with her parents and her grandma. But Špela wants to grow up and cut the cord instead of delaying her already well overdue adulthood any longer.