Vertigo

Miha, a poet whom no one takes seriously, earns his living by writing cheap advertising slogans. This outsider poet of the new age gets commissioned to write an ode to the famous Slovene poet Preseren, for the occasion of the national celebration, due to the 200th anniversary of Preseren's birth. Who was Preseren, what did he drink and what sort of woman did he like? A comedy can begin.

Worker's quarters on Vida Pregarc Street, Ljubljana: a house originally built to accommodate construction workers has storeys, three entrances, and as a result of the privatization process, nineteen owners. The fates of its residents vary...

Half-sisters from a small coastal town who were never that close are forced by circumstance to share a flat in Ljubljana.

Young mothers and sometimes also their daughters have vastly travelled from Vipavska valley to Egypt in 20th century. Their families were poor and needed money. So they went to Alexandria and worked as wet nurses and helpers for wealthier people. They often left their own kids alone with their fathers, only taking care for them with gifts and money. Many never returned and even if they did, they were not well accepted.

Guti and Sig wake up naked and handcuffed to one another on a riverbank near Ljubljana. Sig suffers from memory loss, after a fight with skinheads that Guti tried peacefully to intervene. Sig has no passport or any clue about his identity, the skinheads have taken everything he owned. Guti is trying to build a new home for himself and introduces Sig to his friends, a group of suburban misfits, who remind Sig of a legend of the hidden people.

At a small border-post on the Yugoslav-Albanian border, yet another generation of soldiers suffering the usual amount of boredom awaits the end of their service, counting days to the moment when they should take their uniforms off for good. It is the spring of 1987 and the thought never even crosses their mind that they would, in fact, put them back on quite soon and go to war.

At the beginning of the World War I, Filip, a Serbian school director in the Serbian province, has been asked to immediately go to Belgrade to get war schedule. His wife Lea, Slovene, with no one to leave because the two of them recently arrived in the small town and no one really knows them. Azem, an Albanian, school attendance, gives Filip a promise (Besa) to watch the Lea and that nothing will happen. Lea and Azem, are forced to live together in an abandoned school. Their relationship changes during the time.

While her middle class, socialist family is falling apart around her, Berina, a young artist, tries to cope both with her awakening sexuality and her mother Jasna's imminent death. Her father cannot accept the fact that life is already happening without his wife. Her younger sister Luna cannot or does not want to grow up. For everybody's sake, Berina wants to save her mother's life and her family the only way she can - through art, and through magic.

Goran is a literary student who writes erotic stories to support himself is introduced to Carmen, who was born in extramarital relationship of an opera singer. Goran tries to get rid her of drugs and prostitution. Deeply depressed Carmen blames his mother for her own misery, which gets even worse after her death. A sense of guilt because of her mother's death leads Carmen to insanity.

Nikola’s children are taken away from him after social services decide that he is too poor to provide them with a decent living environment. He sets off on foot to lodge a complaint in Belgrade.

A widow grieves, discovers her deceased spouse's secret, and builds a relationship with a talented boy who used to play the violin with her husband in a local bar.

Everything the actor plays in films later happens to him in real life.

On a faraway Dalmatian island in the 1920s Pogana, a woman from the inlands, is sold to be the new wife of a widow sailor with five children. When the Sailor is lost at sea, Pogana is left at the mercy of the cruel villagers and their customs.

In Stip, a small town in Macedonia, every January the local priest throws a wooden cross into the river and hundreds of men dive after it. Good fortune and prosperity are guaranteed to the man who retrieves it. This time, Petrunya dives into the water on a whim and manages to grab the cross before the others. Her competitors are furious - how dare a woman take part in their ritual? All hell breaks loose, but Petrunya holds her ground. She won her cross and will not give it up.

This film is a homage to the life, career and fears of Slovenian actor Peter Musevski. He was always Pero for me, not Peter.

Asja, a 45-year-old single woman living in Sarajevo, meets Zoran, a 46-year-old banker, at a dating event. Zoran is not there looking for love though, but for forgiveness. During the war in 1993 he was shooting at the city from the opposite side, and he wants to meet his first victim. Now, they both have to relive the pain in their search for forgiveness.

In southern Carinthia, about ninety percent of all inhabitants spoke Slovenian before 1910. Today it is on average a single digit percentage. In this very personal essay documentary, Andrina Mračnikar formulates a political urgency: What happens when one's mother tongue is taken away in everyday life. What must politicians do to counteract the disappearance of a language whose protection is enshrined in the Austrian constitution.

Architecture is not a static but a dynamic, living thing. Similarly film is highly suited to represent and experience architectures as spaces, as stages for human encounter and interaction. In this series of short films architecture becomes animated, even transformed, with social input. Similarly it serves to animate its viewers/occupants -- architecture as stage and actor both. (Good) built projects in Slovenia generally follow a well-thought and focused approach and execution. They are, relatively speaking, of modest size. They are small not in scale nor ambition -- but small as in contained, disciplined, intelligent and specifically responsive. With room for a smile.

Lana and Toni are a couple in a long-term relationship. Lana wants children and a large family, but Toni lives in his own world and shows no signs of wanting to take a step forward in their relationship. One day, Lana and her best friend Maja head to a castle where Toni's birthday party is supposed to be happening, but to their surprise, there is no one there. The situation gets even more complicated when they bump into Alex, Toni's best friend. As they are about to walk out of the castle, they come across a box with a very special surprise in it.

In this intelligent mix of Sofia Coppola’s “Lost in Translation” and Christopher Nolan’s “Memento”, the protagonist Rok loses his memory and is seemingly turning into a better man. Or will his ultra-radical past take over his personality again?