Caméras Continentales

Chronicling a period of time in Paul Gauguin's life, this film follows him through his struggles in love and the financial problems caused by the inability to sell his artwork.

Arsène Muselier returns to his home village at the end of the First World War. His only injury is a head wound, which sometimes provokes periods of delirium and fury. As he renews his acquaintance with the people he left behind - his mother, the old farmhand who brought him up after his father's death, his former girlfriend, and many others - he becomes fascinated by the legend of La Vouivre, a creature with the body of a woman who lives in the marsh, surrounded by vipers. One day, Arsène sees the strange woman - she is naked, beautiful, alluring, and he is instantly enchanted by her. Can she be real, or is she merely a creation of his damaged mind...?

When demanding actress Leila is found drowned there are numerous suspects but the main suspect is her husband Ted. Adapted from the novel by Mary Higgins Clark.

An archaeologist who has been charged with bringing a pre-Columbian statue back to France meets a journalist during a stay in the jails of South American revolutionaries.

Sentenced to ten years in prison for a murder he did not commit, Gaëtan Lantier has just been cleared thanks to the confession the real criminal made before he died. Back in Bellefontaine, his village, the good man is the host of a party organized in his honor. As a gift, the mayor and the inhabitants give him a magnificent hunting rifle. At first disconcerted, Gaëtan pulls himself together and tells the audience that his years of imprisonment give him the right to kill the biggest bastard in the village. Most of the inhabitants have something to reproach themselves with and fear being taken for the silhouette, the one who witnessed the murder but never made himself known, even though his testimony would have cleared Gaëtan. Fear invades Bellefontaine and everyone tries to coax Gaëtan with attentions and gifts.

Released on DVD as part of The Criterion Collection's "Martha Graham: Dance on Film" collection.

Mozart and Da Ponte use the theme of "fiancée swapping", which dates back to the 13th century; notable earlier versions are found in Boccaccio's Decameron and Shakespeare's play Cymbeline. Elements from Shakespeare's The Taming of the Shrew are also present. Furthermore, it incorporates elements of the myth of Procris as found in Ovid's Metamorphoses, vii.[10] Place: Naples Time: the 18th century

An ex-fighter pilot encounters turbulence when he finds the company he works for is actually a front for art smuggling.

A beautiful young detective goes to the rescue of a teacher kidnapped by a former student.

A divorced mother suspects that she and her two children may be in danger because of her insanely jealous new husband

Two of Mozart's best-loved choral works - the 1791 Requiem, and the Mass in C minor, both of which were unfinished when he died. Performed at the Palau de la Mùsica Catalana in Barcelona in December 1991 to commemorate the 200th anniversary of Mozart's death.

At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the tribal chief Gungunhana, who had rebelled against Portuguese government and sovereignty. Mouzinho instantly becomes a national hero but his raising popularity worries the State.

How the mothers of a deprived suburb of Marseille will create a solidarity committee under the aegis of the parish priest. Gathered in assembly, they will invent a solution to the endemic misery of their city.

A candidate for mayor of a small town decides to have the mayor's daughter kidnapped to induce him to withdraw his candidacy in the next elections.

A young inspector from the Ministry of Culture has to replace at short notice a theater actor who has broken his leg.

Nutcracker ballet, conducted by Victor Fedotov and featuring the Kirov Ballet and Orchestra. Stars Larissa Lezhnina, Victor Baranov and Piotr Russanov.

A tale of growing up in 1960s Senegal. Bacc narrates his early years of living in Popenguine, a town divided by culture and musical tastes.

Pelléas et Mélisande (Pelléas and Mélisande) is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's Symbolist play Pelléas et Mélisande. It premiered at the Opéra-Comique in Paris on 30 April 1902 with Jean Périer as Pelléas and Mary Garden as Mélisande in a performance conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music.

Corinne Vanier is the young and charming secretary of a computer company run by Jacques Touret. For some time now, she has been seeing on her computer screen declarations of love that are as anonymous as they are passionate. Their author, Michel Alliard, a young executive in love, is too shy to dare approach Corinne directly. While trying to obtain more precise information on the identity of her mysterious suitor, Corinne becomes convinced, through an unfortunate combination of circumstances, that he is none other than Jacques Touret, her manager. This is the beginning of a series of misunderstandings.