Beldeiur Films

Twelve shots, four sequences. Each of them will try to evoke a feeling, a sensation, an idea, a landscape… just like the iconic and transcendental Japanese poems known as “Haiku”.

A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city inspires him to ponder about the language of cinema, time, cities, and sharing memories with our loved ones.

Far from his home, locked in a room in Edinburgh, a young man writes down all the names of women that he can find in the pages of his books with the desire to evoke through them the face of his idyllic beloved woman.

20 years have passed since Ulysses went to fight in the Trojan War. Now he's considered lost and deceased. In Itaca, his homeland, his old dog Argos awaits his owner, wondering if he'll ever come back.

A woman goes to a cold and inhospitable abandoned cove to try to summon the spirit of her only son, who passed away during the war.

Amidst the tumult of the city, a man and a woman talk about the past of their hometown, the paths they have taken in life and the hope for a better future.

"Mestre-espenya" is a self-portrait of Guillermo Amengual where he talks and thinks about his childhood and all the themes that have always been present in his life and films: death, family and innocence.

Recording of two women picking up olives in a park in Palma (Mallorca).

A whole garden grows from old letters, recipes, notes...

War and violence. Among all, the birht of cinema. After all, war and violence. "The wind blows wherever it pleases." (John 3:8)

The "cueca" is Chile's national dance. Marveled by this form of dancing, the narrator reflects on the meaning of dance in our lives and how it has been portrayed in the history of cinema.