Beldeiur Films

A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city inspires him to ponder about the language of cinema, time, cities, and sharing memories with our loved ones.

Twelve shots, four sequences. Each of them will try to evoke a feeling, a sensation, an idea, a landscape… just like the iconic and transcendental Japanese poems known as “Haiku”.

Far from his home, locked in a room in Edinburgh, a young man writes down all the names of women that he can find in the pages of his books with the desire to evoke through them the face of his idyllic beloved woman.

A woman goes to a cold and inhospitable abandoned cove to try to summon the spirit of her only son, who passed away during the war.

"Mestre-espenya" is a self-portrait of Guillermo Amengual where he talks and thinks about his childhood and all the themes that have always been present in his life and films: death, family and innocence.

20 years have passed since Ulysses went to fight in the Trojan War. Now he's considered lost and deceased. In Itaca, his homeland, his old dog Argos awaits his owner, wondering if he'll ever come back.

War and violence. Among all, the birht of cinema. After all, war and violence. "The wind blows wherever it pleases." (John 3:8)

"The tits of Juliet, the balls of the bull" explores —through the editing of social media footage— the collective act of touching public statues, particularly on their intimate parts, and everything this gesture reveals about contemporary culture.

A whole garden grows from old letters, recipes, notes...

The "cueca" is Chile's national dance. Marveled by this form of dancing, the narrator reflects on the meaning of dance in our lives and how it has been portrayed in the history of cinema.

Recording of two women picking up olives in a park in Palma (Mallorca).

Amidst the tumult of the city, a man and a woman talk about the past of their hometown, the paths they have taken in life and the hope for a better future.