PrasCabeças

Down on his luck and recently divorced, Paulo has begun driving a cab around Rio, hoping he’ll make enough to send his ex money to support their ten-year-old son. He mostly works nights, so in addition to his encounters with a colourful variety of customers, colleagues, cops and others, he must cope with loneliness, fatigue and new faces in his life.

A retired army sergeant, a police officer and his wife and a drug dealer apparently have nothing in common, but they will unite for a greater good. When people start using explosives to fish on the edge of Salvador, Bahia, this group will do everything to end this environmental crime. But in the search for the paths that seem most correct, each one of them will go through more personal and moral conflicts.

In a current and pandemic Salvador, the feminine crosses time in the streets of commerce and calls for the urgency of preserving female "bodies" in history. Through the adaptation of the first scene of the play Antigona by Sophocles for Pajubá, Malayka SN and Abigail Marianno relive the details of the relationship between the characters Antigona and Ismenia and relationships with the current feminine.