IDIOTECA FILMS

Marcos has been living most of his life on autopilot, as a spectator, daydreaming of something better than his current situation, until the father who abandoned him as a child knocks on his door.

Paying homage to 70's grindhouse and B-Movies with music by The Brujas, this music video follows a cannibal bassist that seeks her next victim in a sleazy bar, using her charms to seduce him and then eat him alive, a character introduced in the band's previous single: "Caníbal".

A powerful metaphor for how a woman perceives marriage: not as an act of love, but as a sentence.

The repetition of the frames and the semblance of music is an iteration of interpretations left to the viewer, nature and its violence, calm, and life, juxtapositions of ideas that permeate the interpretation of the work.

Arturo Urbiola, independent singer/songwriter, talks about the influence music has had on his life, it's impact, and what's in store for his artistic career after becoming a father.

Alex faces the grief of an absence that lingers everywhere. Through hazy memories, shared spaces, and uncomfortable silences, she pieces together a love story that’s no longer there.

Daniel seeks catharsis by recalling with Sofía his past relationship.

In a small mexican town in the middle of nowhere, a murder begins to call into question the trust that supposedly exists among the villagers. Pilot that combines what originally were the first two episodes into a single one.

A phone call turns an evening at home into a nightmare.

Guided by the recitation of a poem, the story of a couple is transformed into an intimate ritual where desire, love and cannibalism are confused.