Universidad Del Cine

One more Saturday in a desolate Buenos Aires hard to recognize. Six young people that try to avoid their solitude by complicating their daily routes, unsuccessfully looking for a glance that changes something or a new sensation that reveals them some sense. A couple used to their common tediousness, a girl who has already decided she wants to be alone, his boyfriend who does not know how to deal with that, a famous actor who does not seem to feel comfortable anywhere and a girl who pretends to get fun without realizing she's always bored.

On a quiet night, a young man goes out to meet his friend. The streets become dense under the surveillance of a group of strangers who start chasing him.

A young woman finds her last needed object to finally make her love story come true

A family photo, the sound of the oncoming storm, the cat wandering the kitchen, a man alone in this space. Paz Encina’s early melancholic short is a conversation not shown on screen. Has it already occured or does it take place after this brief moment in time? Using only subtitles and visual language, SUPE QUE ESTABAS TRISTE creates an array if emotions without ever having to “show” anything.

Buenos Aires. 1950. After committing a mistake during a job, hitman ROBERTO is forced to run away from his home, being chased by the same agency that hired him. This will lead to a series of unfortunate encounters with people who will do anything to hunt him down, making him realize that a man can run, but he can’t escape his destiny.