Universidad Del Cine

One more Saturday in a desolate Buenos Aires hard to recognize. Six young people that try to avoid their solitude by complicating their daily routes, unsuccessfully looking for a glance that changes something or a new sensation that reveals them some sense. A couple used to their common tediousness, a girl who has already decided she wants to be alone, his boyfriend who does not know how to deal with that, a famous actor who does not seem to feel comfortable anywhere and a girl who pretends to get fun without realizing she's always bored.

We follow the perspective of Lila, a girl affected by the loss of a very important relationship in her life. After trying to get Federico's attention, she realizes she's the only one still suffering. Talking with her friends, they tell her about a pill that can make her forget him. After getting the pill, Lila, alone in her room, begins the decision-making process: whether or not to take it, while we see flashbacks of what this relationship meant to her. Her decision remains uncertain.

Buenos Aires. 1950. After committing a mistake during a job, hitman ROBERTO is forced to run away from his home, being chased by the same agency that hired him. This will lead to a series of unfortunate encounters with people who will do anything to hunt him down, making him realize that a man can run, but he can’t escape his destiny.

Luca is a teenager who loses his mother. On her deathbed, she gives him two letters: one for him and another for Ángel, his father, a renowned jazz musician whom Luca has never met. We follow Luca throughout the day as, motivated by his mother’s letter, he decides to deliver the letter to Ángel in an attempt to establish a bond with his father.

On a quiet night, a young man goes out to meet his friend. The streets become dense under the surveillance of a group of strangers who start chasing him.

A family photo, the sound of the oncoming storm, the cat wandering the kitchen, a man alone in this space. Paz Encina’s early melancholic short is a conversation not shown on screen. Has it already occured or does it take place after this brief moment in time? Using only subtitles and visual language, SUPE QUE ESTABAS TRISTE creates an array if emotions without ever having to “show” anything.

A young woman finds her last needed object to finally make her love story come true