Pathé Frères

At trial the prosecuting attorney makes a startling confession: the defendant is his son whose pitiful fate led him to murder. The attorney left the young man's pregnant mother, and the unwed poor thing had to fight against a hostile world.

As Jean is walking across the countryside in search of work, he helps and befriends a young woman, Françoise, who is having trouble controlling the cow that she is leading. Jean finds work at a local farm, but he soon finds himself caught in the middle of the conflicts in Françoise's family.

Based on the novel by Alexandre Dumas.

Charles Prince is an inept butler, so he is fired. He goes and gets a job at a restaurant, where he discovers his former employer in a tryst with a young woman who's clearly prepared to be no better than she is, and snatches a love letter from the boss to the girl. He uses this to reinsert himself into his former home, where he drinks the master's wine, smokes the master's cigars, and insults the master's cook.

The Count of Champcenetz is governor of the Palace of the Tuileries. His mistress Grace Elliott, a young widow, begs him not to go the Palace where he must defend King Louis XVI, who is threatened by the Revolution. After a few hours fight, in spite of the Count's best efforts, the crowd captures the King, the Queen, their children and their are taken to the prison of the Temple. Champcenetz, wounded, escapes and, disguised as a sans-culotte, walks back to Mrs. Elliott's. He leaves out of the country with her and marries her.

A woman enters a room with a man. She creates a duplicate of him and changes his personality by throwing his clothes from one man to the next.

Historical film set during the Hundred Year War.

Marie and her friend Billy are playing pirates and Marie is the pirate and Billy is her assistant. Marie's widowed mother becomes engaged to Mr. Cross , whom Marie doesn't like -- she much prefers Jack Laird, a secret service man. Laird's investigation of opium smugglers leads him to suspect that Cross is involved, but Marie's mother refuses to let him be searched.

Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about the free fall of a group of working-class French folk into degradation and tragedy due to carelessness, jealousy, and alcohol abuse. At the time of its release, L'Assommoir was hugely successful.

A Segundo de Chomón trick film.

A female magician presents several impressive metamorphoses, combining stop-motion animation and camera tricks.

Pathé film #2871. In a hotel, a weary traveler settles down to rest. But, hallucinations brought on by fatigue: monsters appear around the bed, which vanishes, while the traveler, thrown to the floor, gets up and grabs a chair. But it gives way beneath him and rolls to the other side of the room. The traveler tries again: the chair multiplies endlessly, multitudes of chairs fill the room but remain elusive to our traveler. Soon, they pile up around him, burying him as he struggles desperately… (Fondation Jerôme Seydoux-Pathé).

Based on Emile Zola's novel, an uncompromisingly harsh and realistic story of a coalminers' strike in northern France in the 1860s.

Adapted from Hugo's eponym novel, the story concerns a Guernseyman named Gilliatt, a social outcast who falls in love with Deruchette, the niece of a local shipowner, Mess Lethierry. When Lethierry's ship is wrecked on the Roches Douvres, a perilous reef, Deruchette promises to marry whomever can salvage the ship's steam engine. Gilliatt eagerly volunteers, and the story follows both his physical trials and tribulations.

Many of the scenes of this split-reel short about a bizarre group of tramp musicians who disappear into and out of drums, beach umbrellas and whatnots were shot in the street and the others were on stages decorated to look realistic.

Two rag-pickers enter their hovel with their bags of scraps. After a little preliminary comedy they set up a white sheet. One of the rag-pickers now takes a handful of scraps from the bag and throws them in confusion on the sheet. They immediately begin to dance and hop about on the white background and when they stop they have made a complete likeness of the King of England. The scraps are taken off and another handful thrown on, which in some manner resolve themselves into the likeness of the President of France.

Max is a millionaire who is forced to lead a double-life as a waiter, the result of having lost a wager.

A magician charms a caterpillar and turns it into a butterfly woman. This film is a blatant remake of Georges Méliès's "La Chrysalide et le Papillon d'or" (1901).