Logement Films

Alphonse and Zélie, the two parliamentary assistants of Laurence Tronchu, a prominent figure of the left, are tasked with writing a speech against the far right, to be delivered the very next day. But they have opposing views on the strategy to follow, and their conflict will last until the break of dawn.

During a Parisian screening of short films, Paolo, an aspiring Italian filmmaker, meets Anna, a French actress. The young woman's eyes suddenly become the spark of a fire that, despite the bewildered reactions of his friends, begins to light up the protagonist's life. But what if the image of this woman, captured and shaped by Paolo's mind, had nothing to do with the real Anna?

Elliot and Louise decide to leave their native Brittany to pursue a career in cinema in Paris; they are willing to do whatever it takes to become actors. During a farewell dinner with Louise's godfather, the harsh realities of the profession will shake their naïve ideals, making a conflict out of their dreams of glory and revolt.

Yet another conversation between ordinary university students, punctuated by frivolities and unspoken thoughts.

Upon his release from prison, Gio reunites with his Toni. The two petty thieves want to turn their lives around: she proposes one last heist, while he dreams of making a movie. As Gio recounts the screenplay for *Amanti a mano armata* (Armed Lovers)—which he wrote while incarcerated—reality blurs with fiction. That drab, black-and-white day transforms into a color film with a noir vibe, starring none other than Toni and Gio themselves! What will the "armed lovers" choose: Toni’s heist or Gio’s movie?