Süddeutscher Rundfunk

In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.

AIDS victims and activists cope with hardship and society’s ignorance.

Technical draftsman Herr R. is a dependable guy. He gets along with his colleagues although his boss wants him to go beyond technical cleanliness to problem solving. He's a dutiful husband; his wife's a social climber and pressures him to seek a promotion, but they also share sweet moments. He's a caring father, helping his son with homework. His parents visit; his mother criticizes his wife. Old schoolmates drop by, as do neighbours. Some comment on his wife's expensive tastes. His promotion may be a long shot, especially after he gives a dull and tipsy toast at an office dinner. But why would Herr R. run amok?

Documents the 1974 Giro d'Italia, from the Pope's blessing of the riders to the record-tying finish.

Werner Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave.

With the American Dream set in their minds, two pathetic gangsters, one Luxembourgish, the other German, go through various trials and tribulation in the South of Luxembourg.

The year is 1997, and World Peace seems to have come, with most classic weapons of mass destruction having been abandoned. However, orbiting the Earth there is the European/American space station FLORIDA ARKLAB, capable of controlling the weather at any location on the planet underneath. A civil project by nature, it might be abused as an offensive weapon, since it could deliver devastation to any potential adversary simply by creating natural disasters such as storms and floods. No wonder the space station soon becomes the central point in rising political tensions between East and West, next stop World War 3 (as indicated by the tagline "The end of our future has already begun"). We follow the main protagonist Billy Hayes, an astronaut aboard the station, as he wades through a plot of secrecy and sabotage trying to tell friend from foe in the process.

Ferdinand Weitel, a forklift driver, is desperate: Insurance agent Arno von Mehling, a true sales talent, has had contracts signed in record amounts. Now Weitel is wandering through the corridors of the insurance company trying to save what can still be saved - on Shrove Tuesday of all days. The department for customer service and complaints is in a colorful mood and has no ear for Weitel's worries. Finally, secretary Annerose Waguscheit takes heart and tells him about the evening carnival ball "Traum-Police", where he can safely find Mr. Mehling.

Making-of documentary that covers "Cobra Verde," Herzog's last film with Kinski before Kinski's death. This is the documentary that registers the behind the scenes moments of "Cobra Verde", the last project that united director Werner Herzog to actor Klaus Kinski. The notorious and infamous relation between the two filled Cinema theatres with masterpieces, but also filled pages of Cinema History with mutual declarations of both love and hate.

Werner Herzog follows mountaineers Hans Kammerlander and Reinhold Messner during their expedition into climbing the Gasherbrum mountains, which has some of the most difficult peaks to be conquered, and they'll do it without the use of oxygen tanks. Herzog also takes some time to hear about their past experiences with other mountains, their personal tragedies and the reasons why they are so involved with such activity.

A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.

A documentary about Fassbinder and the early years of the legendary Antiteater, the group he was a member/leader of. You can here see and hear some of the actors he was going to use in his movies for the next years. The movie shows rehearsals for his play "The Coffeehouse," which also became a television movie, and you can watch unique footage from the 19th Film Festival in Berlin (1969) where "Love is Colder Than Death" was shown. As told in this documentary, his first feature movie was given a cold shoulder by many of the journalists and visitors at the festival. You can in "End of the Commune" watch Fassbinder and actor Ulli Lommel walk out on stage after the opening of "Love is Colder Than Death,” while a man in the audience is shouting "Out with the director!” In this documentary, Fassbinder also talks a lot about his father, who was a respectable doctor.

Reconstruction of the murder of Karl Liebknecht and Rosa Luxemburg and the following farcical military court procedures.

While alone in an abandoned television studio, two militants, Emile Rousseau and Patricia Lumumba, have a discourse on language. Referring to spoken word as "the enemy"--the weapon used by the establishment to confuse liberation movements--the two deconstruct the meanings of sounds and images in an attempt to "return to zero" and truly experience the joy of learning.

The documentary follows Gene Scott, famous televangelist involved with constant fights against FCC, who tried to shut down his TV show during the 1970s and '80s, and even argues with his viewers, complaining about their lack of support by not sending enough money to keep going with the show.

In the idyllic Bavarian village of Himmelsheim, a peaceful existence is disrupted when the German Federal Railway plans to build a high-speed rail line through their town, necessitating a massive tunnel. The construction upheaval shakes the lives of the villagers, triggering old conflicts and new rivalries. Amidst this chaos, Toni, a spirited traveler with a video mobile, becomes entangled in a love triangle involving Petra and Jonny, a driller working on the project. While most of Himmelsheim unites against the railway, the wily winemaker and council member, Münzel, secures a solution.

Comprehensive classic piece that looks at the process of creating the movie, told with a strong, well-constructed narrative that plays almost as a movie itself, a detailed retelling of how the movie was made and the dedication to authenticity that's evident right down to the finest little details on the ship. After a narrator sets the scene for various segments from the film, the piece takes its time to take a closer look at all of the elements that are necessary to create the movie and the challenges of shooting such a labor- and authenticity-intensive picture.

The three daughters of the Dessau merchant Sellmann move with their father to Prague in 1936, where he accepted a position as director of the Böhmische Landesbank. For the three different women begins a new life, which accompanies the film over a period of ten years.

In the Bavarian village of Schladerbach, the kobold Hatschipuh and his comrades live, of whose existence only Grandpa Reiter is aware. When the building constructor Lederer builds himself a new mansion, the subterranean settlement of the kobolds gets destroyed, and Grandpa Reiter sees himself forced to move them into his barn. But this abode as well is soon threatened: Since the farm is no longer profitable, Father Reiter plans to sell it…