Maximage

Paraguay's lush soy farms are battlegrounds between huge agri-business and small farmers. The GMO beans fatten up cattle in rich countries so steaks remain cheap. But the pesticides used are destroying the crops of the campesinos and harming their kids.

Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.

A village on the Georgian Black Sea is full of friendly people convinced they know each other. One day, Eliko is found hanged. His granddaughter Moe comes to organize his funeral. She is confronted with a web of lies and the tragic consequences of Eliko's hidden love life with Amnon, which lasted 22 years. The truth however frees Moe’s capability to love and forces the villagers to take a stand.

First, there is the Appenzell countryside, and the melting snow that makes the streams overflow. Then the death of his mother, and the need to spend time with his father. On top of that, a global pandemic. Peter Mettler is a rare gem of a filmmaker. Here he (re)constructs the filmed diary of his intimate relationship with the world and the beings that inhabit it, in this work of documentary goldsmithery.

How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.

Filmmaker Peter Mettler embarks on a mission that takes him around the world. He is determined to record the diverse modes of transcendence that people in different cultures adopt in order to live life to the fullest. As he traverses civilization and wilderness and encounters a range of lifestyles and ideas, the filmmaker's mind-expanding trip around the world grows into a poem of images and sounds, reflecting the fragmented but alluring worlds it attempts to capture.

Imagine waking up tomorrow and all music has disappeared. Just like that. What will remain when it is all gone: CDs, iPods, instruments?

Modern Amazons are fierce heroines. They are ready to fight for what is important to them. Without explaining, without compromising, always persisting. They fight for victory in the ring for acceptance, and too, for fellow sufferers and humanity.

Five highly original musicians from different countries form the Accordion Tribe. Together they aim to reinforce the original power of the long disdained instrument. The film follows the energetic soundscapes and their performers on a journey through Europe. An extraordinarily intensive documentary on the communicative, connecting power of music.

A palpably rendered audiovisual essay draws together the distinct sensibilities of filmmakers Peter Mettler (The End of Time) and Emma Davie (I am Breathing) and philosopher David Abram (The Spell of the Sensuous) to forge a path into the places where humans and animals meet.

Felix is on the edge. He has got just one thing on his mind: Valerie - his wife, who has recently left him. He returns to the place of their final break-up. Valerie's ex-lover Thomas is also here, but not for sentimental reasons. By chance the two men meet in a restaurant. By chance Felix discovers who he is facing. And then starts the inscrutable game.

The history of psychoanalysis is littered with the discarded psyches of the women whose diagnoses were key to the fame of the great masters. One such woman was Sabina Spielrein. Unlike the rest, she didn't vanish forever from history. Elisabeth Márton's film relates, restages and remembers the tragic story of Spielrein's life as gleaned from a box of her papers discovered in 1977 in the cellar of Geneva's former Institute of Psychology.

What happens after death? Lila Ribi's 100-year-old grandmother Greti always has the same answer: There is nothing after death. The filmmaker sees things differently.

Zurich-born Hugo Koblet was the first international cycling star of the post-war period. He was a stylist on the bicycle and in life, and a huge heartthrob. Koblet had a meteoric rise and won the Giro d'Italia in 1950. Once he had reached the zenith of his career, Koblet was put under pressure by overly ambitious officials and ended up ruining his health with drugs. In 1954, he married a well-known model and they became a celebrity dream couple. After his athletic career ended, Koblet began to lose his footing. Threatened by bankruptcy, he crashed his Alfa into a tree.

A Swiss filmmaker of Palestinian origin travels to the West Bank to make sense of the break-up with a childhood friend who became a Jewish settler. While trying to understand why their friendship has not held up in the face of the political situation, he reveals his own tragic family history in Palestine.

In 1982, filmmaker Ekaterina Eremenko was among 26 students accepted into Russia’s elite natural science school. A golden future lay ahead of them, but the birth of perestroika and the collapse of the old order meant that that future was no longer certain. Eremenko sets out to discover what happened to her classmates and how the seismic political changes of the 1980s affected her generation.

In 1996, Kalashnikovs were publicly burnt in Timbuktu. At the time, the "Flame of Peace" symbolized the end of the Touareg rebellion, which had been suppressed in bloody massacres. That year, the rebels laid down their arms. That year, with the government having made promises, the families who had fled abroad left Mauritania, Algeria and Burkina Faso to return home. In the fight for rights and survival waged by this people, who for centuries had found their freedom in one of the world's most inhospitable regions, the Sahara, culture and arms have been in direct competition ever since.

Dr. Claudia Keller works in the research department of the global chemical company Beyler. The company has pinned all its hopes on the development of a revolutionary lifestyle drug called Defaminol. The slimming pill promises consumers easy weight loss. Shortly before the launch of the new miracle pill, Claudia begins to have doubts about possible side effects. She tries to convince management to hold back the drug, but no one listens to her. A nightmare of lies and loss of trust unfolds, and Claudia Keller must decide how far she is willing to go.

An analysis of the current state of democracy in Switzerland