KGP Kranzelbinder Gabriele Production

A movie based on the book by Christine Nöstlinger “Maikäfer, flieg! Mein Vater, das Kriegsende, Cohn und ich”

This film does not deal with Chornobyl, but rather with the world of Chornobyl, about which we know very little. Eyewitness reports have survived: scientists, teachers, journalists, couples, children... They tell of their old daily lives, then of the catastrophe. Their voices form a long, terrible but necessary supplication which traverses borders and stimulates us to question our status quo.

Elodie and Elias have been living by themselves ever since most of the human race has disappeared from the face of the earth. However, with the unexpected arrival of Gabriel, a boy a bit older than themselves, their harmonic relationship is about to come to an end.

UNIVERSALOVE is a global love story. Six episodes in six different places of the world are told in a symbiosis of modern story-telling and popular music. UNIVERSALOVE is an experiment - a global love story. The interwoven storylines are located in Brooklyn, Rio de Janeiro, Tokyo, Belgrade, Marseille and Luxembourg. The laconic narrative style captures moments that set the viewer on a journey around the globe and deep into the emotional worlds of very different characters affiliated with different cultural spheres and languages.

Dagmar works at a gas station struggling to pay her debts. Lippo is fired by his chef swearing revenge. Karl and his weird friend Rizzo find a bag filled with money which lead them to rash actions. Three car crashes. Three days. Three stories.

Fei works illegally to support family, but they reject his lifestyle. Through Long, Fei finds hope, until encountering Xiaolai, his past love, who makes him confront his guilt.

A young unemployed man finds work at a nuclear power plant and begins an illicit affair with the fiancée of one of his senior workmates.

Lou Andreas-Salomé, the woman who enraptured 19th century Europe’s greatest minds, recounts her life to Ernst Pfeiffer in this German film directed by Cordula Kablitz-Post. A published novelist, poet and essayist, Salomé’s desire to live a life free from convention scandalized society but spurred genius and passion in others, including Friedrich Nietzsche, Paul Rée and her lover, the poet Rainer Maria Rilke. Under the tutelage of Sigmund Freud, she became the first female psychoanalyst.

After the body of an escort girl is found in a mountain lake, the case quickly turns personal for the lead investigator.

Tradition and modernity, contrasting ways of life: the master of archival footage has assembled an impressive collection. His serene narration takes us inside the private lives of migrant families in different eras, from the beginnings of film to the present day. This new film from one of the great avant-garde directors is also a powerful tribute to a neglected genre.

A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. "Office at Night", "Western Motel", "Usherette", "A Woman in the Sun") into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.

Gaston Solnicki plays himself in this cinematic tribute to his friend Hans Hurch.

In their second joint case, detectives Lisa Kuen and Alexander "Alex" Yüsüf-Demir from the Innsbruck criminal police investigate a murder near a small Tyrolean town, where a dead man is found in the Wolfsschlucht, the victim was shot.

The documentary filmmaker Robert Bober revisits the world of his great-grandfather, who left Poland to live in the modern and cosmopolitan city of Vienna, home to intellectuals such as Stefan Zweig, Joseph Roth, and Arthur Schnitzler, on the eve of the National Socialist regime's rise to power, which put an end to the city's status as Europe's cultural capital. What emerges is an emotionally powerful double portrait that reveals a search for identity with universal resonance.

Inside a museum, nowadays. A diorama represents two young soldiers in the trenches. All of a sudden, we are thrown into the diorama: the immobile soldiers come to life, there is terror on their faces – the camera dances around them – explosions, chaos, fog: everything flies about in the air. With every gunshot, they shudder and curl up

A story about Hannah (Anna Åström), a young woman who is very shy on the outside, but whose inner world is deep, exciting and vibrant. One day, Hannah notices a house that looks as if it is cut out from a hip home decorating magazine. Intrigued, she decides to break in and try to find out who owns this emotionless beautiful home equipped with high-end technology. While at first Hannah enjoys the luxury, she starts to notice on each visit that Max (Stipe Erceg), the owner of the house, is excessively obsessed with his physical possessions. He has spent a lot of time to make sure that everything external meets the society’s standards that he has forgotten himself. The things that he himself likes, the activities that make him smile, and the people who make him happy. Having realised that, Hannah starts leaving hints for Max, so as to shake him out of the the everyday emptiness and make him focus on what is important.

A security guard working at an art museum in Vienna crosses paths with a Canadian woman in town to visit her ailing cousin.

A boy returns home from the institution where he grew up, but finds he is not welcome there. He fights to win the love of his family but ends up murdering them.

Anica lives in New Belgrade, a miserable district of tower blocks and concrete. She is mistress to Milutin, a wealthly local criminal who owns a solarium and runs a protection racket. Anica is determined not to grow old in this dump where neither love nor life seems to offer her a decent future. One grey winter’s day Anica has an idea to steal money from Milutin’s safe, get on a plane and leave the country forever.

Hanna Leitner, wants to escape the bourgeois corset and her husband Anton, who sexually harasses her. She goes into therapy with Otto Gross and follows him to Monte Verità, where she discovers the fascination of photography.