Iota Production

Half-brothers Galaad and Noé first meet at their father's funeral. They have little in common, apart from an equal share of personal failures. Convinced that the evil eye has been dogging them ever since their father stole a sacred relic, Galaad convinces Noé to act. Suddenly adventurers, the two men set out in search of the stolen object, and in search of the chance that has shunned them until now.

In Chile, glaciers are melting, forests are burning, inequalities are growing, social revolt is roaring... Between reason and desire, Camila's thoughts waver: can she give birth to a child in this burning world?

In the Philippines, women get deployed abroad to work as domestic workers or nannies. In one of the many training centers dedicated to domestic work, a group of trainees are getting ready to face both homesickness and the possible abuses lying ahead during a series of role-playing exercises.

Third Act is a film about aging. Leo is 80 years old and tours the world with the internationally renowned dance-theatre company Peeping Tom. On stage Leo is condemned to an elderly home crowded by local extras in their third age. But in real life, his wife waits for him - in an elderly home in Belgium. What do you do in the third and last act of your life? And what do the elderly in other countries and cultures do when the curtain is about to fall?

Christophe, a competitive and ambitious banker, reviews the file of Arthur, a young farmer eager to take over the family farm. Their ambition and an economic system that encourages growth will push them to embark on this project. Everything is destined for change, for a certain evolution, but one that is not always reassuring.

This is the story of two childhood friends - Lucas (a 16-year-old high-schooler) and Bert (a mechanic’s apprentice) - who flee the suffocating fish bowl that their killjoy families’ lives have become. Lucas, still quite immature, finds a “big brother” in Bert, a guide who is going to take him straight to the brink of catastrophe. But very quickly, boredom resurfaces and the freewheeling sense of being on an adventure evades them. Should they return to the fold, or keep moving on? Their drifting logic compels them to blindly forge ahead.

Fresh out of prison, Toni struggles to reconnect with her daughter Anna, who was raised by her grandmother Betty, while resisting the pull of her ex-lover Max's criminal world. Working at her uncle Frank's restaurant, she discovers his smuggling ties and Max involves her in a violent altercation on the docks. She faces pressure from the police and seeks redemption by getting away from Max. But trouble catches up with her, putting her family in danger. Toni will take all the risks to finally find a chance for her future with Anna and Betty.

All her life, Christian and Ludo's mother has bet on the same lottery numbers but has never won a penny. When she dies, the two brothers decide to continue the family tradition.

A coming-of-old-age story of an eccentric Tailor who doesn't quit fit into the world and has isolated himself into the attic of the family's tailoring shop. On the verge of losing everything, he finally gets triggered: with a wondrously strange bricolage coach-a tailor shop on wheels- he reinvents his life and his craft. He changes the brides of Athens and falls in love for the first time in his 50s.

Yvonne loses her mind and confuses her teenage granddaughter, Manon, with her deceased daughter. Manon plays the role of the mother she never knew, reviving her grandmother's years of feminist activism. In this troubled game, Manon will learn to become a woman.

While Olivier, a 39 year-old foreman gives his job everything he’s got, Laura, his wife and the mother of their two children, abandons the family home, leaving Olivier alone to face his responsibilities. Lost and completely thrown, Olivier is going to have to come to terms with his new status as a single father raising his children alone. Because Laura’s not coming back.

Bo arrives determined at the Comedy Marathon, the annual comedy extravaganza. With her new range, she wants to convince the bookers she has invited of her abilities. Backstage, she struggles to find her own place and lets the other comedians walk all over her. When Bo feels pushed beyond her limits, she reaches an inevitable breaking point. She's kept quiet long enough. It's time to make her voice heard, loud and clear.

Bob Rugurika is the director of Radio Publique Africaine (RPA), the most popular independent radio station in Burundi. As an investigative journalist he is also a forerunner of the fight for freedom of expression in his country, willing to risk his life to expose the truth. With the RPA, he keeps on challenging the regime and becomes its enemy number one. Will Bob succeed in keeping the freedom of press, while independent media are being silenced and his life and family are being threatened?

When a vast solar park is built in the desert, gradually transforming the landscape, a nomadic Berber tribe is forced to abandon its centuries-old way of life.

This is de facto a film about a film, with the only difference being that the focus is exclusively on the extras. They are filmed while waiting to take their turn, while conversing with others, and thinking about their performances. Although they take their duties very seriously and long to be stars, for the filmmakers, they’re just people that can be coordinated as necessary, nothing more. This film, on the contrary, gives them full consideration, revealing their personalities, what they experience, and what they dream of. The footage comes from many different places where movies are made, involving extras from all different nationalities.

This documentary film is a dialogue between young women about female sexuality. Addressing the subject with freedom, courage and humor, they share their stories and experiences with the desire to change the world around them and to assert their right as women to an informed sexual education, free of constraints and taboos.

Based on her own experience, which she extends through the testimonies of other infertile people, director Élodie Lélu shows how Medically Assisted Procreation modifies the relationship to the body and to the imaginary.