1988 film

A historian travels through time from the swampland that one day turned into the squalor that it has become in contemporary time.

With interviews with National Artists Lamberto Avellana and Lino Brocka and myriad talents from the Mowelfund community such as Nick Deocampo and Raymond Red, Beyond Mainstream documents the robust energy of nascent independent filmmaking in the country in the 80s. Based on Nick Deocampo's first book Short Film: The Emergence of a New Philippine Cinema (1985), it features the first Independent Film and Video Festival held in the Wave Cinema in Cubao, Quezon City, the first video theater in the country.

An experimental comedy short from the Philippines.

This is the life story of Mother Ignacia del Espiritu Santo, a Chinese-Filipina nun who founded the Congregation of the Sisters of the Religious of the Virgin Mary.

A man crawls on the street of Manila at the height of EDSA Revolution.

In facing apartment units, two men share parallel stories. One, distraught over the death of John Lennon, contemplates on killing himself. The other goes into a fit deciding how to part with his 3-years-old toothbrush.

In between harvests, to supplement their income, Judith is sent by her father to catch birds which they would peddle come Sunday outside the church. On their trip to the city, Judith requests that they watch a movie after selling off all the birds. What Judith gets in return is a torotot (trumpet) made out of rolled-up film negatives. The story is set in Bikol where it is a practice among rural folks to surround the perimeter of their farmlands with film negatives to ward off birds eating the newly sown palay seeds.

Mental hospital patients mysteriously dies one by one.

Out of luck Boyong, a father of a sick child, tries to look for money.

An optically printed abstract film taken from the outtakes of an action flick mixed with noise, news broadcasts and hardcore music resulting into a raw collage powerfully evoking Filipino politics and culture.

An impressionistic portrait of a Philippine metropolis.

Recalling how the Pantabangan Dam had disrupted the lives of kinsmen in the southern part of Sierra Madre, the Remontados in Tanay, Rizal, stand their ground in opposition to the proposed Kaliwa-Kanan Dam, a project of the Marcoses funded by the World Bank.

A restless lizard and a man move faster and faster to a punk beat.

Rumored to have used footage salvaged from a commercial studio dumpster, the film is a commentary on Filipino onscreen macho culture and one of the rare surviving works in the brief filmmaking career of Ramon ‘RJ’ Leyran. It was a product of the last Christoph Janetzko film workshop, with a focus on experiments with optical printers, held in 1990.

A man finds answers and more questions as he looks beyond the water's surface.

A family witnesses the transformation of their garbage into a monster.

A bride walks on the desert. She takes off her bridal ornaments and turns into a harlot. A multitude of people crawl on their bellies, become sick and soon die. A volcano erupts. White ashes of lahar cover the earth. The bride remembers her betrothal and repents--symbolically paving the way for the resurrection of her people. A final bridal march into a new heaven and earth takes place.

A documentary on the "xenobiological" essay by one restituto A. Calampangan, Head Analytical Service, Philipine Orbital Research Center in the Year 2125

Secret Agent D'D saves tourist town from the deadly vicious vamp.