Escola de Comunicações e Artes, Universidade de São Paulo

A brief occurrence at the hospital waiting room.

In the late seventies, a group of Brazilian documentary filmmakers traveled to the ABC region in the suburbs of São Paulo with the purpose of recording a wave of worker strikes taking place in response to the negligence of the increasingly powerful and abusive automotive industry. Documenting striking women metal workers, Olga Futemma and Renato Tapajós’ Trabalhadoras Metalúrgicas is a particularly vigorous work among the films produced during this moment in São Paulo worker history. Scenes filmed during the first Congress of Metallurgical Women of São Bernardo and Diadema in 1978 are intercut with images documenting the appalling working conditions against which the women featured in the congress were striking.

An uncompromised from a young group of people.

This documentary takes us on a ride through Marginal Tietê, an important avenue in São Paulo, Brazil, then recently opened to the public. The places it crosses and the people living nearby force the viewer to think about the core of this big city.

A free-spirited surfer who masters the hang-five — walking to the tip of the board and balancing on his toes — finds himself haunted by the characters from his girlfriend’s poems.

Boy meets girl.

Mixing new images to existing São Paulo movies takes, the documentary presents the city from the perspective of five main attributes: transformation, anonymity, crowd, precariousness and dimension.

"And God said, Take thy son, and bring him to the land which I will show thee."

João Lucas works at a video store and always ends up revealing the ending of films to customers. After being approached by a girl who always rents the same movie, the two eccentric characters start to argue about the true meaning of the plot and attract each other through their passion for cinema.

Juliano is a young artist who lives a happy life with his boyfriend, Nuno, a 65-year-old man, until his relationship is shaken by the discovery that his partner has a degenerative disease.

Jeanne has lost her own trail, forgotten the howl of our pack. Through the registry or maybe the quest for a path hidden by the metropolis, our character will discover possible traces, habitats and a huge construction that never stops.

On the back staircases of a residential building, girls smoke hidden from their parents. They take off their clothes to prevent being denounced by the smell of smoke. Cora is 30 years old. She lives in the same building as the girls, and is stuck in an unhappy marriage. The woman catches the girls smoking. From then on, she begins her path towards freedom.

Reconstitution, through photos, films and texts, of the arrival in Brazil of the poet Cendrars, in 1924. Tributes received, visits throughout the country and the desire to make a "100 percent Brazilian film". Testimonials from figures who lived with the intensity of the core of modernist artists: Tarcila do Amaral, Oswald de Andrade, Mário de Andrade and Di Cavalcanti. Scenes from São Paulo, Rio de Janeiro, São Martinho Farm and the 1924 Revolution. Scenes from the movie LES HEURES CHAUDES DE MONTPARNASSE. Reference to Aleijadinho and Febrônio Indio do Brasil.

In an antique shop in downtown São Paulo, a love story from the past is revealed amid the daily life of the place.

The short film depicts the life of a boy who is constantly sexually abused by his father. Leonardo Miggiorin brilliantly plays the role of this boy, who belongs to a poor and unstructured family.