Escola de Comunicações e Artes, Universidade de São Paulo

The short film depicts the life of a boy who is constantly sexually abused by his father. Leonardo Miggiorin brilliantly plays the role of this boy, who belongs to a poor and unstructured family.

Solano is often plagued by nightmares in which, during the Middle Ages, he is pursued by the hunter Faro, who intends to kill him. On discovering, in an antiquarian, a tapestry that represents a hunt and that reminds him of his dream, he tries to buy it, but the owner refuses to sell it.

On the way back from the swimming practice, Janaina is violently approached by the police. Safe back home, she differently faces her relationship with her father Julio, who’s a policeman.

Reconstitution, through photos, films and texts, of the arrival in Brazil of the poet Cendrars, in 1924. Tributes received, visits throughout the country and the desire to make a "100 percent Brazilian film". Testimonials from figures who lived with the intensity of the core of modernist artists: Tarcila do Amaral, Oswald de Andrade, Mário de Andrade and Di Cavalcanti. Scenes from São Paulo, Rio de Janeiro, São Martinho Farm and the 1924 Revolution. Scenes from the movie LES HEURES CHAUDES DE MONTPARNASSE. Reference to Aleijadinho and Febrônio Indio do Brasil.

A free-spirited surfer who masters the hang-five — walking to the tip of the board and balancing on his toes — finds himself haunted by the characters from his girlfriend’s poems.

Buying a book in 3 shots, buying a book in 9 shots. Or: a man finds the right book.

"And God said, Take thy son, and bring him to the land which I will show thee."

A brief occurrence at the hospital waiting room.

Documentary about São Paulo samba musician Germano Mathias.

In the late seventies, a group of Brazilian documentary filmmakers traveled to the ABC region in the suburbs of São Paulo with the purpose of recording a wave of worker strikes taking place in response to the negligence of the increasingly powerful and abusive automotive industry. Documenting striking women metal workers, Olga Futemma and Renato Tapajós’ Trabalhadoras Metalúrgicas is a particularly vigorous work among the films produced during this moment in São Paulo worker history. Scenes filmed during the first Congress of Metallurgical Women of São Bernardo and Diadema in 1978 are intercut with images documenting the appalling working conditions against which the women featured in the congress were striking.

Boy meets girl.

In an antique shop in downtown São Paulo, a love story from the past is revealed amid the daily life of the place.

May 2, 2024. Amidst big names from São Paulo's drag scene, a young filmmaker dives into the experience of becoming a drag queen for one night.

Upon returning home in the morning, Beatriz starts her perverse game with Alberto. Fábio's arrival, however, will show that the rules were much more intricate than they appeared to be.